Results 11 to 20 of about 76 (56)
The Algebra of Happiness: Yevgeny Zamyatin’s We [PDF]
Quaestio Rossica, 2015 В статье с парадоксальным названием «Алгебра счастья: “Мы” Евгения Замятина» автор – известный итальянский славист – обращается к наиболее значительному тексту писателя. Роман Евгения Замятина «Мы», один из важнейших романов первой половины XX в., написанный в жанре антиутопии/утопии, первоначально трактовался как критика коммунизма, установившегося в ...
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The Legend of the Great Inquisitor as the Anti-Utopian pioneering work and the novel "We"
مجلة الآداب, 2019 In the research given to the example of the great Inquisitor's legend, the latest novel by the Great Russian writer Fyodor Mikhailovich Dostoevsky, "The Brothers Karamazov" confirms the idea of man's loss of utopian ideas in its own right, and the ...
MOHAMMED FRAYYEH KOBAISH
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Russian emigration literature in Gustaw Herling-Grudziński’s works
Polilog: Studia Neofilologiczne, 2015 Russian emigration literature in Gustaw Herling-Grudziński’s works All his adult life Grudziński spent in exile so he perfectly knew the problems connected with this – loneliness, alienation, lack of understanding in others, and above all nostalgia for
Patrycja Spytek
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Yevgeny Zamyatin’s “hypertext” about the female warrior. Article II
Tekst. Kniga. Knigoizdanie, 2021 The second article of the two-part cycle considers the most important element of Zamyatin’s “hypertext” about the female warrior, i.e., the tragedy Atilla. The author offers the genealogy of the play’s heroine, Il’degonda, from Brynhildr of the Poetic Edda and Wagner’s Brunnhilde to Ibsen’s Hjordis (The Vikings at Helgeland) and N.
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Izvestiya of Saratov University. New Series. Series: Philology. Journalism, 2020 openaire +3 more sources
Primitivism in We and Brave New World / Biz ve Cesur Yeni Dünya’da İlkelcilik [PDF]
Folklor/Edebiyat, 2016 With reference to the conceptual distinctions on the primitivist way of thinking by Arthur O. Lovejoy and George Boas, the aim of this article is to make a comparative analysis of primitivist thought in My (We) of Yevgeny Zamyatin and Brave New World ...
Hakan Çörekçioğlu
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Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) [PDF]
, 2020 This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF's ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov's Foundation trilogy (1951–1953), one of the most iconic series of SF's American "golden age," and
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WRITING THE SELF: WRITING AS POWER IN YEVGENY ZAMYATIN’S WE
Društvene i Humanističke Studije, 2020 In Yevgeny Zamyatin’s We, the protagonist resists the regime in which he lives by engaging in writing/composition. D-503, the main protagonist, begins a journal that records his rebellious activity and movement towards individuality. The protagonist not only records rebellion, but the act of writing/composition is inextricably tied into the resistance ...
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Gendered Dystopia: Gender Politics in Yevgeny Zamyatin’s We
Društvene i Humanističke Studije, 2017 This paper undertakes to examine the gender politics of Yevgeny Zamyatin’s We (1924), the probable prototype of the modern dystopia, by analyzing how the author adheres to or subverts the characteristics of dystopia specifically in terms of gender representation. The novel illuminates anxieties about gender issues of the author’s time. It can be argued
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