Results 11 to 20 of about 78 (58)

The Algebra of Happiness: Yevgeny Zamyatin’s We [PDF]

Quaestio Rossica, 2015
В статье с парадоксальным названием «Алгебра счастья: “Мы” Евгения Замятина» автор – известный итальянский славист – обращается к наиболее значительному тексту писателя. Роман Евгения Замятина «Мы», один из важнейших романов первой половины XX в., написанный в жанре антиутопии/утопии, первоначально трактовался как критика коммунизма, установившегося в ...
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The Legend of the Great Inquisitor as the Anti-Utopian pioneering work and the novel "We"

مجلة الآداب, 2019
In the research given to the example of the great Inquisitor's legend, the latest novel by the Great Russian writer Fyodor Mikhailovich Dostoevsky, "The Brothers Karamazov" confirms the idea of ​​man's loss of utopian ideas in its own right, and the ...
MOHAMMED FRAYYEH KOBAISH
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Did Huxley Know Zamyatin? Several Approaches to the Issue [PDF]

Литературный факт
This article offers a historical-biographical and comparative approach to the questions that have long preoccupied the readers of Aldous Huxley’s “Brave New World” (1932). The first question is: Did Aldous Huxley know of Yevgeny Zamyatin and specifically
Irina V. Golovacheva
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Russian emigration literature in Gustaw Herling-Grudziński’s works

Polilog: Studia Neofilologiczne, 2015
Russian emigration literature in Gustaw Herling-Grudziński’s works All his adult life Grudziński spent in exile so he perfectly knew the problems connected with this – loneliness, alienation, lack of understanding in others, and above all nostalgia for
Patrycja Spytek
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Yevgeny Zamyatin’s “hypertext” about the female warrior. Article II

Tekst. Kniga. Knigoizdanie, 2021
The second article of the two-part cycle considers the most important element of Zamyatin’s “hypertext” about the female warrior, i.e., the tragedy Atilla. The author offers the genealogy of the play’s heroine, Il’degonda, from Brynhildr of the Poetic Edda and Wagner’s Brunnhilde to Ibsen’s Hjordis (The Vikings at Helgeland) and N.
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The Bizarre World of Totalitarianism: Defamiliarization in Yevgeny Zamyatin’s We

Advances in social science, education and humanities research
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Primitivism in We and Brave New World / Biz ve Cesur Yeni Dünya’da İlkelcilik [PDF]

Folklor/Edebiyat, 2016
With reference to the conceptual distinctions on the primitivist way of thinking by Arthur O. Lovejoy and George Boas, the aim of this article is to make a comparative analysis of primitivist thought in My (We) of Yevgeny Zamyatin and Brave New World ...
Hakan Çörekçioğlu
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Aesthetic function of lexical-semantic groups in fiction (based on E. Zamyatin’s novel “We”)

Вестник Самарского университета: История, педагогика, филология
Introduction. This article explores the functional characteristics of lexical-semantic groups in literary texts. The study is based on the anthropological approach, which is relevant in contemporary linguistics.
Zh. I. Mozhnova
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WRITING THE SELF: WRITING AS POWER IN YEVGENY ZAMYATIN’S WE

Društvene i Humanističke Studije, 2020
In Yevgeny Zamyatin’s We, the protagonist resists the regime in which he lives by engaging in writing/composition. D-503, the main protagonist, begins a journal that records his rebellious activity and movement towards individuality. The protagonist not only records rebellion, but the act of writing/composition is inextricably tied into the resistance ...
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Gendered Dystopia: Gender Politics in Yevgeny Zamyatin’s We

Društvene i Humanističke Studije, 2017
This paper undertakes to examine the gender politics of Yevgeny Zamyatin’s We (1924), the probable prototype of the modern dystopia, by analyzing how the author adheres to or subverts the characteristics of dystopia specifically in terms of gender representation. The novel illuminates anxieties about gender issues of the author’s time. It can be argued
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