Results 1 to 10 of about 78 (58)
Unknown movie scripts by Yevgeny Zamyatin [PDF]
Literary Fact, 2019 The publication of four unknown movie scripts by Yevgeny Zamyatin 1934–1936, stored in France: “Bich Bozhii» (revised script of his play “Attila”), “Vladyka Azii” (modified and expanded version of the script “Genghis Khan”), “Ivan Groznyi” and “Princess ...
Alexander Stroev
exaly +3 more sources
Faustian Motives in We: A Novel by Yevgeny Zamyatin
Polilog: Studia Neofilologiczne, 2021 The article studies the interpretation of the Faustian theme in the novel “We” by Yevgeny Zamyatin. The conflict between the Apollonian and Dionysian is considered as a mode of the Faustian theme.
Anna Stepanova, Valeriia Kalinichenko
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Literatūra (Vilnius), 2021 The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one ...
Veronika Zuseva-Özkan
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Science Fiction’s Ethical Modes: Totality and Infinity in Isaac Asimov’s Foundation Trilogy and Yevgeny Zamyatin’s Мы (We) [PDF]
Studies in Global Science Fiction, 2020 This chapter asks whether science fiction (SF) has a predisposition to a particular ethical orientation. Rather than seek a single answer to this question of SF's ethics, Kendal examines two classic SF texts and the traditions they represent: Isaac Asimov's Foundation trilogy (1951–1953), one of the most iconic series of SF's American "golden age," and
Zachary Kendal
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Sovremennye Issledovaniâ Socialʹnyh Problem, 2017 Purpose. The presented article is the study of the concept of entropy, being a widely spread notion in the fiction, as based on the texts of the novels We by Yevgeny Zamyatin and The Invisible Man by Herbert Wells.
Svetlana Gennadyevna Dolzhenko +1 more
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Problem of anti-genre in the works of Yevgeny Zamyatin
Filologičeskie Nauki Voprosy Teorii I PraktikiThe research aims to substantiate the presence of anti-genre formations in Yevgeny Zamyatin’s works. The article examines the history of the question: the emergence of the term “anti-genre” and its development in Russian literature. The research argues for the appearance of the anti-vita, the anti-patericon, and the anti-utopian novel.
exaly +2 more sources
RUDN Journal of Studies in Literature and Journalism, 2009 This study examined the originality of psychologism in the novel «We» written by E. Zamyatin in the context of Nonclassical Prose. In the novel, E. Zamyatin connected social and psychological point of view not refusing gains of realism of 19th century ...
- Kan Ben Yun
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Неофилология, 2022 The work is a review analysis of the final work of the famous Zamyatinologist. The purpose of the study is to present the role of this monograph in modern literary criticism.
E. V. Boroda
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Turning Romanticism on its Head: The Peripheral Symbolic Geography of Aldous Huxley and Ira Levin
Linguaculture, 2021 Within the present paper, I aim to discuss how Aldous Huxley and Ira Levin have employed the peripheral symbolic geography of their two works (Brave New World and This Perfect Day) to articulate their debate between different sets of social values ...
Niculae Liviu Gheran
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«European Ship» of Yevgeny Zamyatin: Thoughts on the Fate of the Russian Intelligentsia
Philosophical Letters Russian and European Dialogue, 2020 exaly +3 more sources