Results 1 to 10 of about 76 (56)
Unknown movie scripts by Yevgeny Zamyatin [PDF]
The publication of four unknown movie scripts by Yevgeny Zamyatin 1934–1936, stored in France: “Bich Bozhii» (revised script of his play “Attila”), “Vladyka Azii” (modified and expanded version of the script “Genghis Khan”), “Ivan Groznyi” and “Princess ...
Alexander Stroev
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Faustian Motives in We: A Novel by Yevgeny Zamyatin
The article studies the interpretation of the Faustian theme in the novel “We” by Yevgeny Zamyatin. The conflict between the Apollonian and Dionysian is considered as a mode of the Faustian theme.
Anna Stepanova, Valeriia Kalinichenko
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The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one ...
Veronika Zuseva-Özkan
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Purpose. The presented article is the study of the concept of entropy, being a widely spread notion in the fiction, as based on the texts of the novels We by Yevgeny Zamyatin and The Invisible Man by Herbert Wells.
Svetlana Gennadyevna Dolzhenko +1 more
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Problem of anti-genre in the works of Yevgeny Zamyatin
The research aims to substantiate the presence of anti-genre formations in Yevgeny Zamyatin’s works. The article examines the history of the question: the emergence of the term “anti-genre” and its development in Russian literature. The research argues for the appearance of the anti-vita, the anti-patericon, and the anti-utopian novel.
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This study examined the originality of psychologism in the novel «We» written by E. Zamyatin in the context of Nonclassical Prose. In the novel, E. Zamyatin connected social and psychological point of view not refusing gains of realism of 19th century ...
- Kan Ben Yun
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The work is a review analysis of the final work of the famous Zamyatinologist. The purpose of the study is to present the role of this monograph in modern literary criticism.
E. V. Boroda
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Turning Romanticism on its Head: The Peripheral Symbolic Geography of Aldous Huxley and Ira Levin
Within the present paper, I aim to discuss how Aldous Huxley and Ira Levin have employed the peripheral symbolic geography of their two works (Brave New World and This Perfect Day) to articulate their debate between different sets of social values ...
Niculae Liviu Gheran
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«European Ship» of Yevgeny Zamyatin: Thoughts on the Fate of the Russian Intelligentsia
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Dmitriy L. Bystrenkov, Alexey A. Kazakov
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