Results 31 to 40 of about 76 (56)

YEVGENY ZAMYATIN'S “WE”: Forbidden Knowledge and Coercion in Utopia

Soundings: An Interdisciplinary Journal, 2008
exaly   +5 more sources

Yevgeny Zamyatin: The Fantastic as Political (“Tales of Fita” and “A Story about the Most Important Thing”)

The article is devoted to the peculiarities of the use of fantastic in Zamyatin’s short prose. The fantastic here is most often a mask for the political. In the cycle “Tales of Fita”, Zamyatin grotesquely depicts the actions of the Bolsheviks, interpreting them as despotic and retrograde. The latter was not entirely consistent with reality under Lenin,
openaire   +3 more sources

YEVGENY ZAMYATIN AND WELLSIAN UTOPIA

2019
openaire   +3 more sources

HUMAN MACHINES AND THE PAINS OF PENMANSHIP IN YEVGENY ZAMYATIN'S <em>WE</em>

Cultural Critique, 2012
openaire   +3 more sources

Living Under the Bell Jar: Surveillance and Resistance in Yevgeny Zamyatin's We

Critical Survey, 2005
Observation plays an increasingly significant role in twentiethcentury society as a means of regulation. In this regulatory function, observation manifests itself in the ubiquitous CCTV, traffic cameras and other surveillance techniques used to monitor and record the activities of ordinary citizens. One of the more alarming recent manifestations of the
openaire   +1 more source

The symbolism of color and sound in Yevgeny Zamyatin's short story "The Cave"

Vestnik of North-Eastern Federal University
Color and sound effects are one of the important components of a work of art. They perform many functions: they create an emotional and psychological mood, organize the plot and composition, make the characterization of characters and images deeper, psychologically saturated, contribute to the production of associative connections, actualize problem ...
N. V. Chaunina, A. I. Agafonova
openaire   +1 more source

Rus edebiyatından Nikolay Gavriloviç Çernisevski`nin `Şto delat?`(Ne yapmalı), Yevgeni İvanoviç Zamyatin`in `Mıy`(Biz) ve Türk edebiyatından Peyami Safa`nın `Yalnızız` adlı eserinde Ütopya

2021
213
openaire   +2 more sources

Her Dönemin Muhalifi: Yevgeni İvanoviç Zamyatin

Yevgeni İvanoviç Zamyatin; her dönemin “zındığı”, her görüşün muhalifi, tutkunu olduğu edebiyatın da eleştirmeni ve siyasi hiciv yazarı, 1884 senesinde, dönemin Rus İmparatorluğu’nun bir parçası olan Lebedyan’da dünyaya gözlerini açmıştır. Edebiyat dünyasında sağladığı katkılar ve muhalif duruşuyla yerini alan Zamyatin, yazın gücüyle evrensel bir yankı
openaire   +1 more source

Toplumsal ve İdeolojik Bağlamda Yevgeni Zamyatin'in "Biz" Çevirileri

2023
Undoubtedly, one of the most important factors in enriching literature and making it possible to carry it to a universal dimension is translation activity. Therefore, transferring a text to a different language in line with the values created by the artist ensures that it exists in a different culture in an ideological and social context. At this point,
openaire   +1 more source

YEVGENİ ZAMYATİN ÜTOPYA ALGILARINI YENİDEN KURARKEN

2010
Bu makalede Zamyatin’in ütopya algılarını nasıl değiştirdiğine dikkat çekilmektedir.Zamyatin’in Biz adlı romanı dünya edebiyatlarında anti ütopya konusunu işleyen ilk eserdir.Biz’in yazılışında rol oynayan faktörler ve eserin yayımlanmasıyla birlikte verilen tepkilerbu çalışma için önemli.
openaire   +1 more source