Results 31 to 40 of about 78 (58)

Redemptive Atavism in Yevgeny Zamyatin’s We

2018
This chapter illustrates how, in the face of pervasive cultural uniformity, Zamyatin presents the re-emergence of individuality, creativity, and personal morality through the sexual passion between a conflicted loyalist and a sensual firebrand. Building on London’s criticism of both fin de siecle utopianism and organized religion, We satirizes the ...
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Einstein and the Art of Yevgeny Zamyatin

Modern Language Review, 1987
W J Leatherbarrow
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Yevgeny Zamyatin and the Scythian Horde

2023
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YEVGENY ZAMYATIN'S “WE”: Forbidden Knowledge and Coercion in Utopia

Soundings, 2008
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Yevgeny Zamyatin: The Fantastic as Political (“Tales of Fita” and “A Story about the Most Important Thing”)

The article is devoted to the peculiarities of the use of fantastic in Zamyatin’s short prose. The fantastic here is most often a mask for the political. In the cycle “Tales of Fita”, Zamyatin grotesquely depicts the actions of the Bolsheviks, interpreting them as despotic and retrograde. The latter was not entirely consistent with reality under Lenin,
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YEVGENY ZAMYATIN AND WELLSIAN UTOPIA

2019
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HUMAN MACHINES AND THE PAINS OF PENMANSHIP IN YEVGENY ZAMYATIN'S <em>WE</em>

Cultural Critique, 2012
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The symbolism of color and sound in Yevgeny Zamyatin's short story "The Cave"

Vestnik of North-Eastern Federal University
Color and sound effects are one of the important components of a work of art. They perform many functions: they create an emotional and psychological mood, organize the plot and composition, make the characterization of characters and images deeper, psychologically saturated, contribute to the production of associative connections, actualize problem ...
N. V. Chaunina, A. I. Agafonova
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Living Under the Bell Jar: Surveillance and Resistance in Yevgeny Zamyatin's We

Critical Survey, 2005
Observation plays an increasingly significant role in twentiethcentury society as a means of regulation. In this regulatory function, observation manifests itself in the ubiquitous CCTV, traffic cameras and other surveillance techniques used to monitor and record the activities of ordinary citizens. One of the more alarming recent manifestations of the
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Her Dönemin Muhalifi: Yevgeni İvanoviç Zamyatin

Yevgeni İvanoviç Zamyatin; her dönemin “zındığı”, her görüşün muhalifi, tutkunu olduğu edebiyatın da eleştirmeni ve siyasi hiciv yazarı, 1884 senesinde, dönemin Rus İmparatorluğu’nun bir parçası olan Lebedyan’da dünyaya gözlerini açmıştır. Edebiyat dünyasında sağladığı katkılar ve muhalif duruşuyla yerini alan Zamyatin, yazın gücüyle evrensel bir yankı
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