Results 21 to 30 of about 76 (56)
Rethinking the politics of form: The strange case of the political novel. [PDF]
Božić Z.
europepmc +1 more source
NÓS SOMOS OS MORTOS: A ESTÉTICA DO PROGNÓSTICO NA LITERATURA REALISTA DISTÓPICA DE ALDOUS HUXLEY, GEORGE ORWELL E YEVGENY ZAMYATIN [PDF]
openaire +1 more source
openaire
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Yevgeny Zamyatin: The Essential, the Superfluous, and Textual Noise
SubStance, 1986Revolution and heresy have become synonymous with the name of Yevgeny Zamyatin. These terms, employed frequently throughout Zamyatin's writings-in essays like "Scythians?" "I Am Afraid," and "On Literature, Revolution, and Entropy," and in the dystopian novel Wehave been picked up by readers as critical catch-phrases. D. J.
openaire +3 more sources
EGO WORLDS AND EXPLOSION: ‘A STORY ABOUT THE MOST IMPORTANT THING’ BY YEVGENY ZAMYATIN
RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, 2022The earthly locus of this story, located at the crossroads of many seemingly incompatible yet vibrant and tragically profound worlds, is encompassed, among other things, by the multi-personal “ego” of the diegetic narrator. These worlds are imbued with pain and despair, but, according to Zamyatin, we are faced with manifestations of a living beginning,
openaire +3 more sources
Redemptive Atavism in Yevgeny Zamyatin’s We
2018This chapter illustrates how, in the face of pervasive cultural uniformity, Zamyatin presents the re-emergence of individuality, creativity, and personal morality through the sexual passion between a conflicted loyalist and a sensual firebrand. Building on London’s criticism of both fin de siecle utopianism and organized religion, We satirizes the ...
openaire +3 more sources
Einstein and the Art of Yevgeny Zamyatin
The Modern Language Review, 1987W J Leatherbarrow
openaire +3 more sources

