Results 21 to 30 of about 78 (58)
Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, 2022 Dmitriy L. Bystrenkov, Alexey A. Kazakov
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Rethinking the politics of form: The strange case of the political novel. [PDF]
Open Res EurBožić Z.
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Izvestiya of Saratov University. New Series. Series: Philology. Journalism, 2020 openaire +1 more source
NÓS SOMOS OS MORTOS: A ESTÉTICA DO PROGNÓSTICO NA LITERATURA REALISTA DISTÓPICA DE ALDOUS HUXLEY, GEORGE ORWELL E YEVGENY ZAMYATIN [PDF]
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Reason and Free Will : People's Inner Spirits in George Orwell's Nineteen Eighty-Four and Yevgeny Zamyatin's Weopenaire
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Yevgeny Zamyatin: The Essential, the Superfluous, and Textual Noise
Sub-Stance, 1986Revolution and heresy have become synonymous with the name of Yevgeny Zamyatin. These terms, employed frequently throughout Zamyatin's writings-in essays like "Scythians?" "I Am Afraid," and "On Literature, Revolution, and Entropy," and in the dystopian novel Wehave been picked up by readers as critical catch-phrases. D. J.
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EGO WORLDS AND EXPLOSION: ‘A STORY ABOUT THE MOST IMPORTANT THING’ BY YEVGENY ZAMYATIN
RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series, 2022The earthly locus of this story, located at the crossroads of many seemingly incompatible yet vibrant and tragically profound worlds, is encompassed, among other things, by the multi-personal “ego” of the diegetic narrator. These worlds are imbued with pain and despair, but, according to Zamyatin, we are faced with manifestations of a living beginning,
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