Results 11 to 20 of about 350 (144)

Teatr żydowski w świetle «Izraelity» w latach 1883–1905

open access: yesPamiętnik Teatralny, 1992
This article concerns all references to Yiddish theater in the Polish-language Jewish periodical Izraelita which had been printed after the banning of performances in Yiddish.
Mirosława Bułat
doaj   +1 more source

Le strutture della commedia umana kantoriana

open access: yesMimesis Journal, 2016
The author reflects on the relationships between the theater of Tadeusz Kantor and the Yiddish theater. She explains that the experience of the Dybbuk, the work of An-ski, mise en scène of Vachtangov (Moscow, 1922) with the Habima Theatre, that Kantos ...
Béatrice Picon-Vallin
doaj   +1 more source

Polski Żyd: Jakub Appenszlak jako krytyk teatralny

open access: yesPamiętnik Teatralny, 1992
A profile of Jakub Appenszlak  (1894–1950), the Yiddish theater critic who wrote in Polish and who during the interwar period published reviews of Yiddish and Polish theaters in the daily Nasz Przegląd, of which he was the Editor.
Joanna Godlewska
doaj   +1 more source

Liberalism and the Reason of Law

open access: yes, 2021
The Modern Law Review, Volume 84, Issue 2, Page 394-409, March 2021.
Alexander Somek
wiley   +1 more source

Summary

open access: yesPamiętnik Teatralny, 1992
Summary of Pamiętnik Teatralny 1992/1-4. The first part includes an account of the long process of working on this volume, the initial concept of which was born in 1964, as well as a description of the various circumstances that either paralyzed or ...
Maria Prussak
doaj   +1 more source

Le théâtre d’animation en Roumanie

open access: yesRecherches, 2016
A short introduction defines the history (1705-2009) of the popular version. The main hero of the Rumanian puppets is Vasilache. He is comparable to Kasperle, Guignol, Petruschka, Karagöz, Polichinelle, Pinocchio, Punch and so on.
Cristian Pepino
doaj   +1 more source

Abraham Goldfaden i teatr żydowski

open access: yesPamiętnik Teatralny, 1992
This article is devoted to the work of Abraham Goldfaden, taking into account in detail the origins of his work in Romania (making use of the Romanian press of the day) and in Russia.
Michael Taub
doaj   +1 more source

«Burza» Szekspira w Folks un Jugnt-Teater: Inscenizacja Leona Schillera (1938/39)

open access: yesPamiętnik Teatralny, 1992
The production of Shakespeare’s The Tempest staged by Leon Schiller with scenography by Władysław Daszewski in the Folks un Jugnt-Teater in Łodź (October 9th 1938) is considered to be one of the greatest achievements of Yiddish theatre in Poland.
Jerzy Timoszewicz
doaj   +1 more source

Le théâtre yiddish Gimpel de Lemberg : une Odyssée oubliée

open access: yesYod, 2011
The specialists of Yiddish theatre have largely ignored the importance of the Yiddish theatre in Lemberg (Lwow or, today, Lviv, in the Ukraine), founded in 1889 by Jakob Ber Gimpel (1840-1906).
Delphine Bechtel
doaj   +1 more source

Erving Goffman at 100: A Chameleon Seen as a Rorschach Test within a Kaleidoscope

open access: yesSymbolic Interaction, Volume 49, Issue 1, Page 3-47, February 2026.
The 100th anniversary of Erving Goffman's birth was in 2022. Drawing on his work, the Goffman archives, the secondary literature, and personal experiences with him and those in his university of Chicago cohort, I reflect on some implications of his work and life, and the inseparable issues of understanding society.
Gary T. Marx
wiley   +1 more source

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