Results 21 to 30 of about 350 (144)
Singing Off the Road to Life: The Threat of Sonic Delinquency in the Early Soviet Union
The Russian Review, Volume 85, Issue 1, Page 7-22, January 2026.Abstract During the New Economic Policy, Bolshevik activists and the public alike shared a fixation on singing criminals and young delinquents. It saturated stories of criminality and moral or social reform, from newspapers to sociological literature and even one of the first Soviet sound films.
Elizabeth Abosch
wiley +1 more source
“Fiddler on the Roof ” as a Tool for Teaching About How Religions Change Through Time
Teaching Theology &Religion, Volume 27, Issue 3, Page 71-74, September 2024.ABSTRACT This article reflects on the difficulty that many students have in appreciating that religions change over time. It describes an assignment that can be used to teach this important religious literacy skill. The assignment focuses on changing norms on courtship, marriage, and family formation in Jewish communities at two different times and two
Liz Wilson
wiley +1 more source
Telling abortion stories: The life of Florence P. Evans (1913–1935)
Gender &History, Volume 36, Issue 2, Page 327-333, July 2024.Abstract This short article provides a coda to the special forum on ‘Reproductive Rights Beyond Roe’. It merges the history of abortion with what Stéphane Gerson calls ‘personal family history’ to consider how historians should imagine, remember and narrativise histories of abortions within their own families and networks of kin.
Hannah M. Stamler
wiley +1 more source
Yiddish theater poster for "The Rabbi’s Family" at People's Theatre
, 1921 Digital ...
core +1 more source
Yiddish theater poster for "Day and Night" at Glickman's Palace Theatre
, 1925 Digital ...
core +2 more sources
Poster for "Dos khupe kleyd" (The wedding dress)
, 1930 Hungarian poster advertising a performance of the Warsaw Yiddish Theater at the Hungarian Music Academy, Budapest.
core
Le Théâtre de la mort de Tadeusz Kantor : un « gué secret » entre les vivants et les morts
Conserveries Mémorielles, 2016 It would be tempting to place the whole Tadeusz Kantor’s theater under the sign of the revenance and haunting, so everything is back : the characters, situations, objects, spaces, words and sounds, almost all returning the autobiographical sphere and the
Virginie Lachaise
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