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The Myopia of Colonialism: Zama
2019Her latest feature to date, Zama, is a groundbreaking achievement. This chapter argues that Martel’s adaptation of Di Benedetto’s novel turns the modernist text into a postcolonial vision of the past that radically reimagines the position of women, slaves, and indigenous populations.
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2001
Abstract In 218 B.C., the Second Punic War had just gotten under way. Hannibal Barca, Carthaginian commander in Spain, had challenged Roman power in 219 B.C. by laying siege to the city of Saguntum. According to the treaty concluded at the end of the First Punic War, the city lay within a region recognized as under Carthage’s suzerainty,
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Abstract In 218 B.C., the Second Punic War had just gotten under way. Hannibal Barca, Carthaginian commander in Spain, had challenged Roman power in 219 B.C. by laying siege to the city of Saguntum. According to the treaty concluded at the end of the First Punic War, the city lay within a region recognized as under Carthage’s suzerainty,
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Basotho Mineworkers and zama zama in Disused Commercial Gold Mines in Gauteng Province, South Africa
2020For a long time in the industrial configuration of Southern Africa, many South African neighbouring countries have been popularly known as the labour reserve economy for South African mines—and other industries. However, after the 1990s, employment opportunities for many in the mines started to decline as many mineworkers were retrenched.
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A Cinema of the Borderlands: Lucrecia Martel’s Zama
2022This chapter continues to examine the theme of moral freedom as a marker of ambiguous cinema via analysis of Lucrecia Martel’s film Zama, specifically the study of its protagonist Don Diego de Zama. It extends and develops Beauvoir’s philosophy of ambiguity by working through the varied work of Latina feminist phenomenologists, Gloria Anzaldúa, María ...
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