Results 131 to 140 of about 318 (161)

Einstein and the Art of Yevgeny Zamyatin

Modern Language Review, 1987
W J Leatherbarrow
exaly   +2 more sources

6. Bulgakov and Zamyatin

2003
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5. Lotman, Bulgakov, and Zamyatin

2003
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Castration Anxiety and the Other in Zamyatin’s We

1998
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. Swift, Zamyatin, and Orwell and the Language of Utopia

2006
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The Imagery of the Avant-Garde: Zamyatin’s The Cave

1987
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Zamyatin and the Nightmare of Technology

Science Fiction Studies, 1984
Yevgeny Zamyatin’s anti-utopian novel We relies on a Romantic conception of politics and technology that is consistent with attitudes developed in essays Zamyatin wrote during the early years of the Bolshevik state. In the novel, both the machine images and the adaptation of the Prometheus myth demonstrate the capacity of the products of the ...
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Zamyatin, Evgeny

2018
Evgeny Zamyatin is a Russian author most famous for his dystopian novel We [My], which is said to have influenced George Orwell’s 1984. Criminalized in the pre-Revolutionary period by the tsarist regime for his revolutionary tendencies, and denounced post-Revolution as a traitor to the ideals of Russian Communism, Zamyatin was highly influential as an ...
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Extended metaphors in Zamyatin's “Yola”

Verba Northwest Linguistic Journal
The paper explores the process of verbalizing one’s own intuitive responses while interpreting metaphors, aiming to clarify how readers imagine the referents within the artistic world of Yevgeny Zamyatin’s story “Yola.” The study’s relevance lies in addressing a gap in existing research: while Zamyatin’s prose has been widely analyzed, the pictorial ...
G. N. Girzheva, V. I. Zaika, G. O. Kalyanin   +2 more
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EVGENY ZAMYATIN - THE GENRE OF ANTI-UTOPIA

Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research), 2023
In his novel “We,” the renowned Russian writer Evgeny Zamyatin establishes a new direction in world literature - the genre of anti-utopia. Among his stylistic predecessors are noted figures such as Gogol, Leskov, and Turgenev, regarded as classics of Russian literature, as well as Swift, Wells, and Anatole France. Conceptually, the theme resonates with
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