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Zamyatin and the Nightmare of Technology

Science Fiction Studies, 1984
Yevgeny Zamyatin’s anti-utopian novel We relies on a Romantic conception of politics and technology that is consistent with attitudes developed in essays Zamyatin wrote during the early years of the Bolshevik state. In the novel, both the machine images and the adaptation of the Prometheus myth demonstrate the capacity of the products of the ...
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Double-edged Satire in Zamyatin’s We

Extrapolation, 2015
At the end of We, our narrator retreats to an underground bathroom to complete his manuscript as Mephi revolutionaries take to the streets above. D-503’s withdrawal from the fighting can easily be read as a cowardly abdication of political responsibility.
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Zamyatin's WE

The Explicator, 2000
Bretton J. Dennis, Rafeeq O. McGiveron
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YEVGENİ ZAMYATİN ÜTOPYA ALGILARINI YENİDEN KURARKEN

2010
Bu makalede Zamyatin’in ütopya algılarını nasıl değiştirdiğine dikkat çekilmektedir.Zamyatin’in Biz adlı romanı dünya edebiyatlarında anti ütopya konusunu işleyen ilk eserdir.Biz’in yazılışında rol oynayan faktörler ve eserin yayımlanmasıyla birlikte verilen tepkilerbu çalışma için önemli.
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Zamyatin

2022
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The Study of Zamyatin's Weltanschauung

1972
The study of Zamyatin's Weltanschauung and its presentation in his works. The thesis contains a preface, five chapters and a conclusion. Chapter I attempts to define Zamyatin's concept of man as presentated in his novel Mbd. Chapter II deals with the two forces energy and entropy.
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Zamyatin: A Soviet Heretic

The Slavic and East European Journal, 1963
Christopher Collins, D. J. Richards
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Her Dönemin Muhalifi: Yevgeni İvanoviç Zamyatin

Yevgeni İvanoviç Zamyatin; her dönemin “zındığı”, her görüşün muhalifi, tutkunu olduğu edebiyatın da eleştirmeni ve siyasi hiciv yazarı, 1884 senesinde, dönemin Rus İmparatorluğu’nun bir parçası olan Lebedyan’da dünyaya gözlerini açmıştır. Edebiyat dünyasında sağladığı katkılar ve muhalif duruşuyla yerini alan Zamyatin, yazın gücüyle evrensel bir yankı
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Human Nature in Utopia: Zamyatin's 'We'

The Modern Language Review, 2004
Julie Curtis, Brett Cooke
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