Results 111 to 120 of about 8,158 (157)
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Carnaval, grotesco y dialogismo en las zarzuelas de Pablo Sorozábal
, 2016In the present study, the three principal theories of Russian theorist Mikhail Bakhtin--the carnavalesque, grotesque, and dialogical--are applied to the musical-theatre genre of the Spanish zarzuela.
D. Murphy
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Bulletin of the Comediantes
:The Bulletin of the Comediantes features this conversation between Víctor Pagán and José Antonio Rodríguez Garrido of the Editorial Board as a Touchstone of theater studies.
José A. Rodríguez Garrido
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:The Bulletin of the Comediantes features this conversation between Víctor Pagán and José Antonio Rodríguez Garrido of the Editorial Board as a Touchstone of theater studies.
José A. Rodríguez Garrido
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Vocal Ornamentation in the Zarzuela Isabelina
The Journal of musicological researchVocal ornamentation in the Spanish zarzuela was similar to that in Italian opera. The use of Italian operatic forms encouraged the practice. The alternation of singing with speaking taxed singers vocally and led often to a decline in the art of singing ...
D. Lawton
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Arias from Spanish Zarzuels as a Source of Renewal of the Vocalist's Repertory
Часопис Національної музичної академії України ім.П.І.ЧайковськогоThis study analyzes the compositional and performance techniques employed in arias from Spanish zarzuelas, highlighting their potential to significantly enrich and diversify a vocalist's repertoire. The unique national melodic characteristics inherent in
Dariia Nazymchuk
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European opera classics in the mirror of Spanish zarsuela
Scientific herald of Tchaikovsky National Music Academy of UkraineThe relevance of the study: Italian opera, which dominated at the musical theater of Europe in the 18th and 19th centuries, influenced the development of a number of national genres, such as the German singspiel (Singspiel) and romantic opera ...
Dariia Nazymchuk
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Rilce. Revista de Filología Hispánica, 2018
Se examina cómo Calderón fue el primero que, después de haber realizado varios ensayos de comedias con música, dio una definición de la zarzuela, a la que consideró como una obra de breve extensión. Su obra El golfo de las sirenas, al estar escrita en un acto con una parte cantada y otra representada, puede ser considerada como la primera zarzuela.
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Se examina cómo Calderón fue el primero que, después de haber realizado varios ensayos de comedias con música, dio una definición de la zarzuela, a la que consideró como una obra de breve extensión. Su obra El golfo de las sirenas, al estar escrita en un acto con una parte cantada y otra representada, puede ser considerada como la primera zarzuela.
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Offenbach, compositor de zarzuelas
Hispanic Research Journal, 2022Francesco Milella
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MLN, 2008
The pastoral mode has traditionally been understood to sentimentalize, even mythologize, ideas, objects and phenomena associated with the rural landscape, often contrasting the bucolic and the urban, irrespective of literary or artistic genre. Throughout the centuries, "Arcadia was forever being rediscovered," asserts Ernst R.
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The pastoral mode has traditionally been understood to sentimentalize, even mythologize, ideas, objects and phenomena associated with the rural landscape, often contrasting the bucolic and the urban, irrespective of literary or artistic genre. Throughout the centuries, "Arcadia was forever being rediscovered," asserts Ernst R.
openaire +1 more source