Teaching & Learning Guide for: Jürgen Habermas and the Public Intellectual in Modern Democratic Life
, 2023 Philosophy Compass, Volume 18, Issue 2, February 2023.
Peter J. Verovšek
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Nervosität und theatrale Hygieneaufklärung im Sowjetrussland der 1920–30er Jahre
Berichte zur Wissenschaftsgeschichte, Volume 43, Issue 3, Page 430-456, September 2020., 2020 Abstract The present contribution analyses the nervousness and neurasthenia discourse in the early Soviet Union. Its focus is on psycho‐hygienic plays staged by the Moscow Theatre for Sanitary Culture. It asks in which images, figures and actions a knowledge about the nervous disorder was presented on stage, which genre traditions and communicative ...
Igor J. Polianski, Oxana Kosenko
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„Kobiety-malarki w powieściach i nowelach E. Zoli: rzemieślniczki czy artystki?” [PDF]
, 2018 Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art).
Kaczmarek-Wiśniewska, Anna
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Effi Briest and the work on genre
Orbis Litterarum, Volume 75, Issue 4, Page 173-183, August 2020., 2020 Abstract Ever since Erich Auerbach’s harsh verdict in Mimesis, the German realist novel has been seen as a peripheral phenomenon in the history of nineteenth‐century literature. Criticized for being too idealizing, insular, or simply irrelevant, it has gone down in literary history as a less modern form of realism, not being able to join the realist ...
Fredrik Wilhelm Renard
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La désacralisation de l’église dans quelques romans des Rougon-Macquart
Quêtes Littéraires, 2013 Being agnostic and believing in science only, Emile Zola perceived churches as simple buildings, monuments to a dead religion that would certainly lose the battle against nature and science.
Anna Kaczmarek
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BIOFILIA DAN NEKROFILIA: ANALISIS SOSIOLOGI SASTRA NOVEL LA BÊTE HUMAINE KARYA EMILE ZOLA
Jurnal Kawistara, 2011 Using the genetic structural analysis suggested by Lucien Goldmann, it has been shown that Emile Zola, an adherent of naturalism, has managed to expose a distinctive world view through the mediation of his work bring La bête humaine.
Ali Shahab
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Comparaison n’est pas raison : l’épopée d’une aliénation
Carnets, 2014 It is the intention of this article to analyze the social, moral and philosophical issues operating in Émile Zola’s short story, Les Repoussoirs (1866).
Jean‑François Bacot, Elyane Borowski
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Cuando decir Napoleón III significaba decir Hitler. Los biopics de Dieterle y Muni (1935-1939)
Valenciana, 2017 La productora de cine Warner Brothers se encargó de la creación de tres biopics sobre la vida de Louis Pasteur, Benito Juárez y Emile Zola. Esta trilogía producida durante los años previos de la II Guerra Mundial,periodo en el que se estableció de forma ...
Mauricio Sánchez Menchero
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Défense et illustration du théâtre d’images à travers quelques allers-retours entre le xixe siècle et aujourd’hui [PDF]
, 2009 Après avoir proposé une définition du théâtre d’images, l’article s’attache à analyser la mutation du regard porté sur lui. Loué par les écrivains et critiques du xixe siècle (tels que Théophile Gautier, Émile Zola ou Stéphane ...
Martinez, Ariane
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ANALISIS UNSUR NATURALISME PADA NOVEL L’INONDATION KARYA ÉMILE ZOLA MELALUI PENDEKATAN STRUKTURALISME GENETIK [PDF]
, 2014 Penelitian ini bertujuan untuk mendeskripsikan unsur naturalisme yang terdapat pada novel L’Inondation karya Émile Zola dengan menggunakan pisau bedah strukturalisme genetik. Metode yang digunakan dalam penelitian ini adalah metode deskripstif.
Aulia, Keyza Bella
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