Results 11 to 20 of about 4,401 (101)

“It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2021
The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615].
Katya Jordan
doaj   +1 more source

Head identification in binominal constructions

open access: yesLinguistik Online, 2021
Determining the head of complex noun phrases is in general not an easy task in Portuguese. In the case of uma garrafa de vinho ‘a bottle of wine’, in combination with quebrou-se ‘broke’ or derramou ‘spilled’, it is the selection restrictions of the verb ...
Roberto Gomes Camacho   +1 more
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Der Dichter als Idiot – Zur Poetik des Außenseiters in Botho Strauß’ «Lichter des Toren»

open access: yesStudia theodisca, 2016
Being an idiot isn’t that bad. Although persons who are called idiots live a life on the margins of society, they possess a special gift of insight and sensitivity, as well as a knowledge of hidden truths and experiences.
Bernhard Winkler
doaj   +1 more source

“I am a great, great sinner”: The Theology of Sin in Crime and Punishment and The Idiot [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2020
The understanding of Dostoevsky’s views about sin defines the basic understanding of Dostoevsky’s texts by readers and researchers. In case the reader does not understand sin the way the author did, the meaning of key moments in the texts can be ...
Tatyana A. Kasatkina
doaj   +1 more source

I.A. Krylov’s “Fables” in F.M. Dostoevsky’s Novel The Idiot [PDF]

open access: yesStudia Litterarum
The article explores the presence of I.A. Krylov’s “Fables” as a book within a book in F.M. Dostoevsky’s novel The Idiot, making the first approaches to the development of the topic “Dostoevsky and Krylov,” which practically did not attract the attention
Nikolay N. Podosokorsky
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Nikolay Karamzin’s History in Fyodor Dostoevsky’s Novel The Idiot [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал
The article explores the influence of Nikolay Karamzin’s History of the Russian State (1818–1829) on Fyodor Dostoevsky’s novel The Idiot (1868–1869). Karamzin’s historical and literary work significantly shaped Dostoevsky’s worldview from childhood and ...
Nikolay N. Podosokorsky
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Rogozhin and Christ: an Attempt of Interpretation [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2019
This article attempts to interpret one of the final episodes of F.M. Dostoevsky’s Novel The Idiot as a parallel to an event of Evangelic story, namely the co-crucifixion of Christ and the Good Thief. The possibility of such interpretation, in our opinion,
Valentina S. Sergeeva
doaj   +1 more source

«You Will Remain in the World as a Monk»: the Motive of Obedience and Asceticism in Dostoevsky's World. To the 200th Anniversary of the Russian Genius

open access: yesЯзык и текст, 2022
The idea of salvation in the world sets the theme of the hermitage and the world, monasticism in the world, worldly holiness in culture. Monasticism is seen as a state of mind regardless of status.
V.N. Suzi
doaj   +1 more source

F. M. Dostoevsky’s Novel “The Idiot”: History and Typology of Commentary [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2018
The article reviews the history and conception typology of the novel by F.M. Dostoevsky called “Idiot” in XX century. The pluralism in understanding of purposes and objectives of its commenting which appeared between two centuries is stated, as a result ...
Valentina V. Borisova
doaj   +1 more source

Textual Analysis and new Facts for а History of the Text (on the Material of F.M. Dostoevsky’s Manuscripts) [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2020
The article is devoted to the principles of textual research of F.M. Dostoevsky’s manuscripts on the material of the writer’s artistic ideas of the 1860s – 1870s (The Idiot, “The Eternal Husband”, The Adolescent, The Demons).
Natalia A. Tarasova
doaj   +1 more source

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