Results 31 to 40 of about 1,915 (220)
Projected to open in February 2024 at the Grey Art Gallery of NYU, Americans in Paris: Artists Working in Postwar France, 1946-1962 examines the work of approximately seventy artists who lived in Paris for a period during the two decades following World ...
Lara Cox
doaj +1 more source
Women of Abstract Expressionism
Yale University Press Edited by Joan Marter, with an Introduction by Gwen F. Chanzit and essays by Robert Hobbs, Ellen G.
openaire +1 more source
Concrete in architecture: Redefining form, space, function, and insights from bibliometric analysis
Abstract Concrete has become a cornerstone in architectural and engineering innovation, as it seamlessly integrates structural performance with artistic expression. Its evolution from ancient opus caementicium to contemporary ultra‐high‐performance concrete illustrates its adaptability to the change in technological, environmental, and design paradigms.
Mouhcine Benaicha +2 more
wiley +1 more source
Albert Irvin and Abstract Expressionism [PDF]
‘Albert Irvin and Abstract Expression’ analyses the implication of the 1959 Tate Exhibition ‘The New American Painting’ on the work of British colourist, abstract artist Albert Irvin RA, OBE.
Geddes, Stewart
core
Information and affective valence influence judgments of complexity, liking and understanding
Abstract Visual complexity is a key factor in perceptual and evaluative judgments. People's representation of visual complexity is constructed from quantitative and structural image features, but it is also influenced by familiarity and expertise. We examined how people represent visual complexity and its impact on perception and evaluation, focusing ...
Xiaolei Sun +3 more
wiley +1 more source
Vladimir Mayakovsky and Frank O’Hara: a Reappraisal [PDF]
The “New York School” refers to a group of poets and painters, mostly of the Abstract Expressionist movement, who congregated in New York in the first two decades following the end of the Second World War.
Ronald Vroon
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Les échanges artistiques entre la France et les États-Unis, 1950-1968
In the last two and a half decades, there has been a dramatic increase in scholarship about artistic exchanges between France and the United States during the first two decades of the Cold War.
Sarah K. Rich
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Judgement of paintings belonging to different tendencies in the 20th century painting [PDF]
In this study Trifunović’ hypothesis that there are three objective lines in the development of modern art was psychologically evaluated. According to Trifunović, in the first line (Cézanne - cubism - neoplasticism - suprematism) the geometrization of ...
Radonjić Ana, Marković Slobodan
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Enchanting the Otherwise: Magical Realism and the Gendered Ontologies of Organizational Becoming
ABSTRACT This paper enacts a feminist‐posthumanist reimagining of gender as ontological disturbance, using magical realism not as metaphor but as epistemological method. Rejecting representational logics and the managerial rationalities of organizational realism, we advance gender not as identity or role but as spectral interference—a transversal ...
Max Ganzin, Diana Ivanycheva
wiley +1 more source
More than a Man, Less than a Painter: David Smith in the Popular Press, 1938–1966
Media coverage was vital in establishing the popular reputation of the Abstract Expressionists. Reporting regularly relied on photographic portraits to present these artists as modernist innovators who were an extension of (or even a replacement for) the
Paula Wisotzki
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