Results 51 to 60 of about 4,509,121 (201)
Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
Future Humanities, Volume 4, Issue 1, May 2026.ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
wiley +1 more source
The Complex Geography of Cultural Networks
Geography Compass, Volume 20, Issue 4, April 2026.ABSTRACT This article examines the cultural sector as complex, sprawling, and uneven spatial networks, shaped by the interactions of people, institutions, goods and services. At the intersection of network science and geography, it synthesises how spatial network approaches have been applied to the study of cultural and creative industries, including ...
Andrea Ballatore
wiley +1 more source
Color as A Narrative Device in Illustration: A Systematic Review
Color Research &Application, Volume 51, Issue 2, March/April 2026.Color in picture book illustration operates simultaneously as a representational code, cognitive scaffold, and affective cue supporting theories such as Dual Coding and multimodal discourse while revealing gaps in methodology and cross‐cultural research.
Lidia Jiménez‐Duarte +2 more
wiley +1 more source
Cy Twombly: Sign, Meta-Sign and Sense
Sillages Critiques, 2016 In a 1979 article on the work of the American painter Cy Twombly, Roland Barthes writes “TW [Twombly] refers to writing (as he also often refers to culture, through words), and then he goes off somewhere else.” This article starts from the question of ...
Johanna Malt
doaj +1 more source
Meaning, anti‐alienation, and fulfillment
The Southern Journal of Philosophy, Volume 64, Issue 1, Page 104-122, March 2026.Abstract One intuition that motivates subjectivist theories about meaning in life is the anti‐alienation intuition, that is, for a life to be meaningful it must engage with the person whose life it is. This article contends that the anti‐alienation and subjectivist theories it motivates are best understood as tracking fulfillment in life; this is an ...
Chad Mason Stevenson
wiley +1 more source
A century of art dealing in New York. The rise of American art
The Economic History Review, Volume 79, Issue 1, Page 281-311, February 2026.Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
wiley +1 more source
Variaciones Greenberg: apogeo y debacle de un crítico de arte
Trans/Form/AçãoResumen: Partiendo del texto clásico Vanguardia y kitsch, nos proponemos analizar la obra del crítico norteamericano Clement Greenberg. Después de la intervención del Estado norteamericano en el arte entre 1935 y 1943 (los WTA), Clement Greenberg surge ...
Nicholas Rauschenberg
doaj +1 more source
The Political Novel in the Age of its Impotence: On Recent German Right‐Wing Fiction
The German Quarterly, Volume 99, Issue 1, Page 5-20, Winter 2026.Abstract While scholars have increasingly studied the German right's publishing strategies and literary politics, less attention has been paid to the literary texts as such. They are worth examining in detail, I argue here, because they reflect in exaggerated form a problem that troubles political novels more generally: the dwindling role of the novel ...
Sophie Salvo
wiley +1 more source
‘reportless places’: Janet Malcolm and Collage
Critical Quarterly, Volume 68, Issue 2, Page 73-91, July 2026.
Natalie Ferris
wiley +1 more source
Abstract Expressionism: An American Phenomenon [PDF]
, 1972 One of the newest types of painting in the modern tradition is Abstract Expressionism. It began in New York around 1944. All the experience of Americans with modern art had been poured into the melting pot of the city.
Royston, Judee Thompson
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