Results 71 to 80 of about 4,509,121 (201)

An Unlikely Match: Modernism and Feminism in Lynda Benglis’s Contraband

Arts
In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual ...
Becky Bivens
doaj   +1 more source

From “The New Sculpture” to Garden Statuary: the suppression of Abstract Expressionist sculpture [PDF]

Journal of Art Historiography, 2015
In the 1940s, David Smith, David Hare, Herbert Ferber, Ibram Lassaw, Seymour Lipton and Theodore Roszak were part of a new generation of sculptors working in New York who used welding and other direct-metal techniques to make abstract sculpture.
Meghan Bissonnette
doaj  

‘Stilfarbe’ en ‘Farbkunst’. De (her)ontdekking van negentiende- en vroegtwintigste-eeuwse kleurtheorie in relatie tot kunstnijverheid, schilderkunst en architectuur

Bulletin KNOB, 2017
One hundred years after its emergence, the Amsterdam School still manages to fascinate people with its whimsical forms and bright colours. Although the frame of reference for the forms is known, there has been less interest in investigating the use of ...
Jürgen Stoye
doaj   +1 more source

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

Tate Papers, 2017
David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about its influence on British artists.
James Finch
doaj  

“Authentic” Modern American Painting and a Pioneering Painting During the Transition to Postmodern Art: Barnett Newman’s Onement I

Sanat Tarihi Yıllığı
This study provides an overview of the development of an “authentic” American modern painting, focussing on Barnett Newman and his painting Onement I. It traces the evolution of American art with European influences, highlighting key events such as the ...
Ö. Eren Koyunoğlu
doaj   +1 more source

The Emersonian Presence in Abstract Expressionism

, 1990
In all of the literature on abstract expressionism, very little has been written about what I would call the Emersonian presence. It is a presence rather than a source or influence.
Matthew Baigell
core   +1 more source

Inger Ekdahl : Swedish Abstract Expressionism

, 2020
Inger Ekdahl was a female painter at the center of Swedish Abstract Expressionism in the fifties. This essay investigates how her art was received in Stockholm and Paris. We conclude that although her type of art dominated the avant-garde in Paris during
Engström, Alexander
core   +1 more source

Eyes in the Heat: The Question Concerning Abstract Expressionism [PDF]

Since the 1970s, revisionist art historians have elaborated how Abstract Expressionism was exhibited abroad by the post-war US establishment in order to characterise the movement, especially on Clement Greenberg’s account, as an artistic correlate to ...
Neofetou, Daniel
core   +1 more source

The British response to abstract expressionism of the USA c. 1950-1963 [PDF]

, 1996
PhD ThesisAbstract Expressionism was arguably the most important art movement after the Second World War and it has in many ways influenced all subsequent art movements in the West.
Wang, Hui Ping
core   +1 more source

Materiality and atmosphere. Two American beat artists painting Europe

Cogent Arts & Humanities, 2019
The article discusses how European painting heavily influenced two American Beat painters in the post war years. Post-war American painting was often concerned with breaking away from traditional iconography and style, but Jay DeFeo and Joan Brown chose ...
Frida Forsgren
doaj   +1 more source