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This article addresses the analysis of the film titled Las Hijas del Fuego directed by Albertina Carri. Its main objectives are: 1.- Categorize and analyze the represen-tation of sexual diversity and queer fe-minine visualities and identification from ...
Perdomo Rodríguez, Karina
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Michèle Soriano (Estudio crítico de), La rabia, de Albertina Carri
Cinémas d’Amérique latineopenaire +1 more source
Albertina Carri: cineasta de la incomodidad
Cinemas D'Amerique Latine, 2012 Albertina Carri es una de las cineastas más prometedoras del Nuevo Cine Argentino. Desde hace catorce años, ella ha filmado cuatro largometrajes y una decena de cortometrajes y telefilms. Su cine suscita fascinación, incomodidad y reflexión ya que se trata de un universo fuera de las normas, que molesta e interroga nuestras identidades, la violencia y ...
Mullaly, Laurence
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The Lesbian Utopia of Albertina Carri’s Las hijas del fuego (2018)
Palgrave Studies in, 2022Juli A Kroll
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Toying with History in Albertina Carri’s Los rubios
Palgrave Macmillan Memory Studies, 2016This chapter analyzes the use of Playmobil figures in Albertina Carri’s Los rubios (2003), a pioneering example of a new trend of post-dictatorship cultural remembrance that takes a desacralized and anti-monumental approach to the past. By drawing parallels between Los rubios and playful memories of other traumatic events—notably the Holocaust—the ...
Jordana Blejmar
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Time-Riding: Albertina Carri and the Ironic Affective Presence of the Past
Journal of Latin American Cultural Studies, 2018Following her work as film director, Argentine artist Albertina Carri presented a series of installations called Operation Failure and the Recovered Sound.
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Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri
Studies in Spanish and Latin American Cinemas, 2017Abstract Lucrecia Martel and Albertina Carri are contemporaneous Argentine directors whose films are frequently included in the category ‘New Argentine Cinema’. Often interpreted as indictments of bourgeois cultural values, Martel’s La ciénaga/The Swamp (Martel, 2001), La niña santa/The Holy Girl (Martel, 2004) and La mujer sin cabeza ...
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Cinéma féministe argentin : les questionnements épistémologiques et politiques d’Albertina Carri
Genre en séries. Cinéma, télévision, médias, 2016 International audienceFrom what Albertina Carri, Argentine filmmaker, calls "excess normality" and from her deconstructions of gender violence, I would like to raise some issues about feminism in art, normalization strategies of feminist discourse and ...
Soriano, Michèle
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Toying with history: Playful memory in Albertina Carri's Los rubios
Journal of Romance Studies, 2013This article analyses the use of Playmobil figures in Albertina Carri’s autofictional film, Los rubios [The Blondes] (2003). Deploying what the author calls a ‘playful memory’ of the traumatic past in Argentina, Los rubios is a pioneering example of a new trend of post-dictatorship cultural remembrance that takes a desacralized, non-solemn and de ...
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