Results 21 to 30 of about 11,974 (161)
Babel: Littératures Plurielles, 2023 The title of the short novel Il cavaliere e la morte is inspired by that of an engraving by Albrecht Dürer entitled Knight, Death and Devil (1513 or 1514), which was also reproduced on the cover of the first Adelphi edition of 1989.
Maria Panetta
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Una nota su Albrecht Dürer e Vitruvio = A Note on Albrecht Dürer and Vitruvius
Espacio, Tiempo y Forma. Serie VII, Historia del Arte, 2019 In questo saggio l’autore propone una riconsiderazione globale del rapporto di Albrecht Dürer con il De Architectura di Vitruvio, prestando costante attenzione alle fonti rimaste.
Giovanni Maria Fara
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Face‐Work: Making Hair Matter in Sixteenth‐Century Central Europe
Gender &History, Volume 33, Issue 2, Page 314-345, July 2021., 2021 ABSTRACT Bringing gender history, the history of the body and art history into a conversation with material culture studies, this article argues that the sudden fashionability of beards in Renaissance Europe has been intricately linked with a culture of material and visual experimentation.
Stefan Hanß
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Die Gematrie von Dürers "Melancholie"
Acta Neophilologica, 1992 Im Kupferstich von Dürers »Melancholie«, Kat. Nr. 270, ist das magische Quadrat mi1t der Schlüsselzahl 34 abgeblildet. Die letzte Quadratsreihe stellt gematrisch das Entstehungsjahr, den Namen des Künstlers und das Thema der Grafik dar.
Tine Kurent
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Desconstruindo Discursos de Diferença na Escola
Educação & Realidade, 2017 Este artigo busca compreender algumas representações artísticas de homens negros nas artes ocidentais (do século XV ao XIX). A análise aqui se volta para a área da educação, pretendendo-se compreender como o discurso da diferença é construído, também ...
Walace Rodrigues
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Olhos de safira: introdução à leitura de O cão de Dürer, um conto de Maria João Cantinho
Acta Scientiarum: Language and Culture, 2018 Este ensaio promove uma leitura do conto ‘O cão de Dürer’, da escritora portuguesa Maria João Cantinho, publicado em 2006, evidenciando a sua correspondência com a gravura renascentista Melencolia I, de Albrecht Dürer (1514), além de outras obras do ...
Marcelo Pacheco Soares
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A touching compassion: Dürer’s haptic theology [PDF]
The Open Arts Journal, 2015 In one of the final scenes of his 1511 woodcut sequence, The Small Passion, Albrecht Dürer depicts the newly risen Christ extending his forefinger towards the head of Mary Magdalen.
Shira Brisman
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The melancholy according to Aristotle in the magic square on Duerer's Melencolia I
Acta Neophilologica, 1993 In the numbers of Duerer's Melancolia magic square is hidden the Aristotle's wonder: "How come, that all the people, excelling in philosophy or in politics or in poetry or in arts, are evidently melancholical..."
Tine Kurent
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Moral Instruction by Bad Example: The First Latin Translations of Theophrastus’ Characters☆
, 2022 Renaissance Studies, Volume 36, Issue 5, Page 668-685, November 2022.
Katie Ebner‐Landy
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Impersonating Dürer: German Experience of the Russian Silver Age Artist V. V. Vladimirov
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2017 The author examines two graphic works by Vassily Vladimirov (1880–1931) created during his studies in Munich between 1905 and 1906, that imitate self-portraits of the German Renaissance master Albrecht Dürer (one of the works is from the collection of ...
Elizaveta Viktorovna Yuzhakova
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