Results 11 to 20 of about 11,407 (75)

The Piano and Decentred Cultural Modernity in Korea: Shades of Chopin

open access: yesChopin Review, 2023
This research is situated within the framework laid out in Decentering Musical Modernity (Janz and Yang eds, 2019). Rather than a passive reception of piano music, I avoid ‘triumphalist narratives’, where an individual nation is seen to heroically master
A. Tokita
semanticscholar   +1 more source

Pogorelich at the Chopin: Towards a sociology of competition scandals

open access: yesChopin Review, 2023
Controversies are a regular feature on the international classical music competition circuit, and some of these explode into scandals that are remembered long afterward.
Lisa McCormick
semanticscholar   +1 more source

The Reception of Chopin – the Poet of the Piano – and his Music in Taiwan. An initial assessment, based on a questionnaire for choir singers

open access: yesChopin Review, 2023
Although the popularity of Chopin and his music in East Asia is a well-known phenomenon, we know quite little about how exactly Asian people understand and listen to Chopin’s music.
Kwen-Yin Li
semanticscholar   +1 more source

Chopin, Pianos and East Asian Modernity

open access: yesChopin Review, 2023
For music to have an identity, it seems, it must belong to someone. I will argue that in the twenty-first century Chopin no longer belongs to Europe.
J. Samson
semanticscholar   +1 more source

Chopin in Japan: From Ongaku Torishirabe Gakari to Forest of Pia

open access: yesChopin Review, 2023
This paper traces the reception of Chopin’s music and its evolution in Japan from the mid-nineteenth to the mid-twentieth century. The reception of Chopin’s music in Japan during the Meiji era (1868–1912) took place through direct and immediate person-to[
J. Tada
semanticscholar   +1 more source

Émigrés on an émigré: Poetic portraits of Chopin

open access: yesChopin Review, 2023
This article is devoted to analysis of the mechanisms behind the creation of the cultural image of Fryderyk Chopin in selected verse by twentieth-century Polish poets in exile, such as Kazimierz Wierzyński, Jan Lechoń, Stanisław Baliński and Czesław ...
Anna Teńczyńska
semanticscholar   +1 more source

The evolution of performance style in the history of the International Fryderyk Chopin Piano Competition in Warsaw

open access: yesChopin Review, 2023
The International Fryderyk Chopin Piano Competition in Warsaw was inaugurated in 1927, in part out of the desire to promote an authentic performance practice in relation to Chopin’s oeuvre.
Wojciech Kocyan
semanticscholar   +1 more source

Chopin: Combining Distributed and Centralized Schedulers for Self-Adjusting Datacenter Networks [PDF]

open access: yesInternational Conference on Principles of Distributed Systems, 2022
The performance of distributed and data-centric applications often critically depends on the interconnecting network. Emerging reconfigurable datacenter networks (RDCNs) are a particularly innovative approach to improve datacenter throughput.
Neta Rozen Schiff   +3 more
semanticscholar   +1 more source

Chopin and George Sand: Visions of reconciliation and otherness

open access: yesChopin Review, 2023
To read Sand’s fiction, or at least what she wrote while she and Chopin shared an intimate relationship, for insights into their creative affinities, is unproductive.
B. Jack
semanticscholar   +1 more source

A New Interpretation of Chopin’s Piano Music Through Performance of the Second Piano Sonata on Pleyel and Erard Fortepianos and on a Modern Piano

open access: yesChopin Review, 2023
I explored different approaches to performing Chopin’s Second Piano Sonata using my experience of playing on two period instruments: an original Pleyel 1848 grand fortepiano (known to have been played by Chopin) and an original Erard 1845 grand ...
Jun Ishimura
semanticscholar   +1 more source

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