Results 1 to 10 of about 39 (39)
“I’ve been calling you all evening today…” A Letter from Andrey Tarkovsky [PDF]
Телекинет, 2022 This publication introduces into scholarly discourse a letter from the outstanding Russian director Andrey Tarkovsky to Iosif Manevich (1907–1976), the then editor-in-chief of Mosfilm and lecturer at the Gerasimov Institute of Cinematography (VGIK).
Dolgopyat, E. O
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Shall we dance? Choreographing hospitality as key to interpersonal transformation
Acta Theologica, 2023 The icon of the Holy Trinity by Andrei Rublev (1425) is a celebration of hospitality. This article contemplates the icon through Henri Nouwen’s eyes, using his methodology, and shows how the spiritual practice of hospitality is key to interpersonal ...
G.W. Marchinkowski
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Children as a Reflection of Transcendence in the Filmography of Andrei Tarkovsky
Religions, 2023 Andrej Tarkovsky is a Russian film author who has indebted the entire world’s cinematography with his cinematic style. His (auto)biography and filmography give us a hint that he was a deeply religious man who believed that art should serve to deepen man ...
Irena Sever Globan, Marin Pavelić
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On the Source of the Quotation from a «Biographer» of st. Sergius of Radonezh in prince E. N. Trubetskoy’s Lecture «Speculation in Colours» [PDF]
Вестник Православного Свято-Тихоновского гуманитарного университета: Серия I. Богословие, философия, 2014 In his lecture «Speculation in Colours» prince E. N. Trubetskoy quotes an unnamed «biographer» of St. Sergius of Radonezh, who reported that the saint «erected a church in the name of the Holy Trinity as a mirror for all those whom he had gathered for ...
Pavel Khondzinsky
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Wrocławski Przegląd Teologiczny, 2017 The Byzantine art is based upon the Christological dogma. The artistic representations of Christ and saints is justified by the fact of incarnation. Since God became visible in Christ, it is possible to represent the God’s Son in the venerable images ...
Jan Paweł Strumiłowski
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QUE SONT MES « SEMI -» DEVENUS ?
Estudos Semióticos, 2023 La notion de semi-symbolisme demeure théoriquement et pratiquement problématique, depuis l’invention et l’usage flamboyant qu’en fit Jean-Marie Floch dans les années quatre-vingt et quatre-vingt dix du siècle précédent.
Michel Costantini
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Andrei Rublev in 20th-Century Russian Poetry: Examples and Analyses
Studi SlavisticiThis article presents a comprehensive analysis of poems and poetic fragments by twentieth-century Russian poets that engage with the figure of the fourteenth–fifteenth-century icon painter Andrei Rublev.
Oleg A. Lekmanov
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Визуальная теологияThe paper examines some iconographic and stylistic features of the panel with the Virgin Eleousa from a private collection, exhibited at the Mikhail Abramov Museum of Russian Icons in October 2023 – February 2024.
Maria Yakovleva / Мария Игоревна Яковлева
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Studia Humanitatis, 2022 Every year films of all kinds are produced, and the number of film directors is many all over the world. But among them there are individual geniuses who stand out from the crowd. The Soviet film director Andrei Tarkovsky is one of these geniuses.
Christensen Carsten Sander
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Creative use of objects as signs in cinema: an analysis of Sergei Parajanov’s Hakob Hovnatanyan
Creativity StudiesThe paper presents an analysis of Sergei Parajanov’s short film, Hakob Hovnatanyan (1967), and its significance as an example of poetic cinema within Soviet cinematography.
Tigran Simyan
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