Results 1 to 10 of about 67 (66)

Children as a Reflection of Transcendence in the Filmography of Andrei Tarkovsky

open access: yesReligions, 2023
Andrej Tarkovsky is a Russian film author who has indebted the entire world’s cinematography with his cinematic style. His (auto)biography and filmography give us a hint that he was a deeply religious man who believed that art should serve to deepen man ...
Irena Sever Globan
exaly   +3 more sources

“What about Bach? Where is the feeling there?” Arseniy Tarkovsky’s gramophone record collection at the State Central Film Museum and Andrey Tarkovsky’s Sound Universe [PDF]

open access: yesТелекинет, 2022
The author of the article puts into academic circulation materials from the State Central Film Museum: the collection of Arseny Tarkovsky’s records, which had a significant impact on the development of his son, Andrei Tarkovsky, the famous Russian ...
Malaya, E. R.
doaj   +1 more source

“I’ve been calling you all evening today…” A Letter from Andrey Tarkovsky [PDF]

open access: yesТелекинет, 2022
This publication introduces into scholarly discourse a letter from the outstanding Russian director Andrey Tarkovsky to Iosif Manevich (1907–1976), the then editor-in-chief of Mosfilm and lecturer at the Gerasimov Institute of Cinematography (VGIK).
Dolgopyat, E. O
doaj   +1 more source

Med kadrom in montažo. Koncept časa v filmski teoriji in praksi Andreja Tarkovskega [PDF]

open access: yesPhainomena, 2020
Between Shot and Montage. The Concept of Time in Film Theory and Practice of Andrei Tarkovsky - The paper presents Tarkovsky’s understanding of time as a subjective category that cannot be measured and is connected with our experience of life.
Jonas Miklavčič
doaj   +1 more source

Ethnography, Incongruity, History: Soviet Poetic Cinema

open access: yesThe Russian Review, Volume 82, Issue 1, Page 68-90, January 2023., 2023
Abstract This essay examines the entangling of the poetic and the ethnographic in the art cinema of the 1960s as an indicator of a broader collision of epistemological/discursive regimes in postwar Soviet cinema—and ultimately, a clash between two fundamentally opposed approaches to the discursive production of history.
Elizabeth A. Papazian
wiley   +1 more source

From editorial board. A Sensation in the World of Tarkovsky Studies [PDF]

open access: yesТелекинет, 2022
Statement about the important archive discovery of Andrei Tarkovsky's script Antarktida, dalekaya strana [Antarctica, a Distant country (1960-1966)], made by researchers Maxim Kazyuchits and Nina ...
Sputnitskaia, N., Kazyuchits, M.
doaj  

Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje

open access: yesAisthesis, 2022
En su libro The Cinematic Footprint (2012), la teórica de los estudios sobre el cine Nadia Bozak propone un análisis de la producción cinematográfica basado en su relación con los consumos y los recursos naturales de los que ésta depende.
Abelardo Gil-Fournier Martínez
doaj   +1 more source

Arnold Böcklin’s Pictorial Motifs in the Poetry of Russian Modernism [PDF]

open access: yesStudia Litterarum, 2023
The work of the Swiss artist Arnold Böklin (1827–1901) is a bright page of European culture. His painting “Island of the Dead” for several decades in the early 20th century was a favorite canvas of the Russian intelligentsia.
Ekaterina V. Kuznetsova
doaj   +1 more source

A simbólica do absinto na teopoética de Dostoievski, Tarkovsky e Czeslaw Milosz

open access: yesReflexão, 2022
  O imaginário da relação entre o tempo e a humanidade, na civilização judaico-cristã, desdobra-se em dois grandes mosaicos imagéticos, muitas vezes superpostos e contraditórios, que orientam visões sobre o mundo e sobre o papel do ser humano sobre a ...
Kátia Marly Leite Mendonça
doaj   +1 more source

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