Results 41 to 50 of about 119 (113)

Visual Complexity in Japanese and European Cinema of the 1950s–1960s: Stylistic and Semantic Similarities and Differences / «Визуальная сложность» в японском и европейском кино 1950–1960-х годов: стилистические и смысловые сходства и различия

Наука телевидения, 2022
In this article, I study the stylistic features of Japanese cinematography of the middle of the twentieth century, which was introduced to European critics and the general public in the 1950s.
REIFMAN BORIS V. / РЕЙФМАН Б.В.
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“Sculpting from Time”: Attempts at Philosophical Reconstruction of A. Tarkovsky’s Legacy

Галактика медиа: журнал медиа исследований
The article analyzes the work of film director Andrei Tarkovsky through an appeal to modern scientific versions of the interpretation of his films. The problematic of the study is related to the fact that despite the significant corpus of works devoted ...
Anastasia V. Kucherova
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Philosophy of Mind and Body in Andrei Tarkovsky's Solaris

Film-Philosophy, 2016
Andrei Tarkovsky's film Solaris (1972) is studied through the lens of philosophy of mind. The question of memory and personhood, as developed by John Locke and then expanded by Derek Parfit, is applied to the status of Hari – the copy of the protagonist ...
Vladimir Tumanov
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Modernist Cinema of Andrey Tarkovsky

Journal of Flm Arts and Film Studies, 2016
The article examines the work of Andrey Tarkovsky in the context of the 20 th century Modernist art. Dividing the world into the profane and sacral, the time and eternity, using the motifs characteristic of the literature of the early 1900s can also be found in Tarkovskys films.
openaire   +2 more sources

Sounding, Quotation and Visualisation: Applying Poetic Logic. Realistic Cinema of Andrei Tarkovsky

Imafronte, 2010
A lo largo de los años y de sus siete películas, el destacado director de cine ruso Andrei Tarkovsky desarrolló una estrategia de rodaje llamada lógica poética.
Julia Shpinitskaya
doaj  

The formation and literary and political program of the journal «Druzhba Narodov» in the 1920-1950’s

RUDN Journal of Studies in Literature and Journalism, 2014
Article dedicated to the creation and establishment of the literary and artistic «thick» journal «Druzhba narodov» in the period from 1928 to 1955. The evolution of the almanac in the periodical, the emergence in its pages the basic principles of multi ...
A A Riabchenko
doaj  

Reflections on the Experience and the Effect of Nostalgia Seen through Andrei Tarkovsky's Film Nostalghia (1983)

Etnoantropološki Problemi
The aim of this research is the cultural, temporal, and spatial displacement of an individual from their native country as a trigger for nostalgia. Consequently, the material for this analysis is drawn from the artistic film Nostalghia (1983), the first ...
Vladimira Ilić
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HOW TO QUOTE DREAMS? OR PRACTICE OF QUOTING AND SELF-QUOTING IN CINEMA AS EXEMPLIFIED IN ANDREI TARKOVSKY’S THE SACRIFICE / КАК ЦИТИРОВАТЬ СНЫ? ИЛИ ПРАКТИКА ЦИТИРОВАНИЯ И АВТОЦИТИРОВАНИЯ В КИНО НА ПРИМЕРЕ КАРТИНЫ АНДРЕЯ ТАРКОВСКОГО «ЖЕРТВОПРИНОШЕНИЕ»

Наука телевидения, 2019
This article represents an attempt to expand the list of Andrei Tarkovsky’s breakthrough artistic achievements with one more, namely the creation and development of his own apparatus for film quoting.
NAUMOV LEV A. / НАУМОВ Л.А.
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A tradição do tempo

Rebeca
O lirismo contemplativo, profundamente associado à tradição poética e mística cristã, transfigurou-se ao migrar da literatura para o cinema. Cineastas como Andrei Tarkovsky, Ingmar Bergman, Lars von Trier, Terrence Malick, Martin Scorsese, Chantal ...
Danilo Augusto de Athayde Fraga
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Cinematography as a Metalanguage of the Director's Inner World (Based on the Films of Andrei Tarkovsky)

Дискурс
Introduction. The article is devoted to the problem of art as a metalanguage of the inner world of the artist, director. The issue of the metalanguage of art in relation to cinema is becoming quite relevant today, while the work of the Soviet film ...
V. B. Malyshev, T. G. Stotskaya, T. V. Borisova   +2 more
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