Results 41 to 50 of about 117 (111)

Philosophy of Mind and Body in Andrei Tarkovsky's Solaris

Film-Philosophy, 2016
Andrei Tarkovsky's film Solaris (1972) is studied through the lens of philosophy of mind. The question of memory and personhood, as developed by John Locke and then expanded by Derek Parfit, is applied to the status of Hari – the copy of the protagonist ...
Vladimir Tumanov
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Sounding, Quotation and Visualisation: Applying Poetic Logic. Realistic Cinema of Andrei Tarkovsky

Imafronte, 2010
A lo largo de los años y de sus siete películas, el destacado director de cine ruso Andrei Tarkovsky desarrolló una estrategia de rodaje llamada lógica poética.
Julia Shpinitskaya
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HOW TO QUOTE DREAMS? OR PRACTICE OF QUOTING AND SELF-QUOTING IN CINEMA AS EXEMPLIFIED IN ANDREI TARKOVSKY’S THE SACRIFICE / КАК ЦИТИРОВАТЬ СНЫ? ИЛИ ПРАКТИКА ЦИТИРОВАНИЯ И АВТОЦИТИРОВАНИЯ В КИНО НА ПРИМЕРЕ КАРТИНЫ АНДРЕЯ ТАРКОВСКОГО «ЖЕРТВОПРИНОШЕНИЕ»

Наука телевидения, 2019
This article represents an attempt to expand the list of Andrei Tarkovsky’s breakthrough artistic achievements with one more, namely the creation and development of his own apparatus for film quoting.
NAUMOV LEV A. / НАУМОВ Л.А.
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The formation and literary and political program of the journal «Druzhba Narodov» in the 1920-1950’s

RUDN Journal of Studies in Literature and Journalism, 2014
Article dedicated to the creation and establishment of the literary and artistic «thick» journal «Druzhba narodov» in the period from 1928 to 1955. The evolution of the almanac in the periodical, the emergence in its pages the basic principles of multi ...
A A Riabchenko
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Modernist Cinema of Andrey Tarkovsky

Journal of Flm Arts and Film Studies, 2016
The article examines the work of Andrey Tarkovsky in the context of the 20 th century Modernist art. Dividing the world into the profane and sacral, the time and eternity, using the motifs characteristic of the literature of the early 1900s can also be found in Tarkovskys films.
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A tradição do tempo

Rebeca
O lirismo contemplativo, profundamente associado à tradição poética e mística cristã, transfigurou-se ao migrar da literatura para o cinema. Cineastas como Andrei Tarkovsky, Ingmar Bergman, Lars von Trier, Terrence Malick, Martin Scorsese, Chantal ...
Danilo Augusto de Athayde Fraga
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Reflections on the Experience and the Effect of Nostalgia Seen through Andrei Tarkovsky's Film Nostalghia (1983)

Etnoantropološki Problemi
The aim of this research is the cultural, temporal, and spatial displacement of an individual from their native country as a trigger for nostalgia. Consequently, the material for this analysis is drawn from the artistic film Nostalghia (1983), the first ...
Vladimira Ilić
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Long Take in Cinema: A Philosophical Analysis (Based on the Works of Andrei Tarkovsky)

Галактика медиа: журнал медиа исследований
The aim of the article is to formulate the philosophical approaches to the interpretation of the long take as an aesthetic tool in the cinema of Andrei Tarkovsky.
Anastasia V. Kucherova
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Linguocognitive bases for the integration of the poetic text into cinematic discourse

Слово.ру: балтийский акцент
The article delves into the intricacies of integrating poetic texts into the discourse of au­thorial cinema. It begins by examining the multifaceted interaction between cinema and poet­ry within contemporary artistic culture, framing author ...
Zykova I.V.
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Creative use of objects as signs in cinema: an analysis of Sergei Parajanov’s Hakob Hovnatanyan

Creativity Studies
The paper presents an analysis of Sergei Parajanov’s short film, Hakob Hovnatanyan (1967), and its significance as an example of poetic cinema within Soviet cinematography.
Tigran Simyan
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