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ReFocus: The Films of Andrei Tarkovsky
2020Despite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema. Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the best movies ever made.
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The Films of Andrei Tarkovsky, a Total Work of Art. An IPA Interview with Andrei Tarkovsky Jr
2022Andrei Arsenyevich Tarkovsky was born on 4th April, 1932 in Russia and died on 29th December, 1986 (aged 54) in France. This IPA Issue is dedicated to his memory on the day of his death 36 years ago. This interview with his son Andrei Tarkovsky Jr. was conducted in Florence in the Giubbe Rosse Caffe in 2016 and has not been published before.
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Andrei Tarkovsky: 'Ivan's Childhood'
2022KinoSputniks closely analyse some key films from the history of Russian and Soviet cinema. Written by international experts in the field, they are intended for film enthusiasts and students, combining scholarship with an accessible style of writing. This KinoSputnik on Andrei Tarkovsky's debut feature Ivan's Childhood examines the production, context ...
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2013
Andrei Tarkovsky (b. 1932–d. 1986) was the most important director in postwar Soviet art cinema and one of the most influential auteurs in world cinema of the 1960s–1980s. After completing several student films, most notably Steamroller and Violin (1960), Tarkovsky leapt to prominence in 1962 with his first feature, Ivan’s Childhood, which won the ...
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Andrei Tarkovsky (b. 1932–d. 1986) was the most important director in postwar Soviet art cinema and one of the most influential auteurs in world cinema of the 1960s–1980s. After completing several student films, most notably Steamroller and Violin (1960), Tarkovsky leapt to prominence in 1962 with his first feature, Ivan’s Childhood, which won the ...
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Sculpting in Time, with Andrei Tarkovsky [PDF]
SSRN Electronic JournalTarkovsky opposed to the movie editing and considered that the basis of the art of cinematography (movie art) is the internal rhythm of images. He considers cinema as a representation of distinctive currents or time waves, transmitted in the film through its internal rhythm. Rhythm is at the heart of the "poetic film".
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1994
The definitive study of the great filmmaker, set in the context of Russian cultural history.
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The definitive study of the great filmmaker, set in the context of Russian cultural history.
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Andrei Tarkovsky as Reader of Arsenii Tarkovsky's Poetry in the Film Mirror
Russian Studies in Literature, 2004(2004). Andrei Tarkovsky as Reader of Arsenii Tarkovsky's Poetry in the Film Mirror. Russian Studies in Literature: Vol. 40, No. 3, pp. 46-63.
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2018
The cinema of Andrei Tarkovsky stands at the zenith of high-modernist cinema. Amongst the many technical achievements that characterize Tarkovsky’s total art approach to cinema, a few stand out: the fragmented and free floating diegeses of his films, which often defy the teleology of metanarratives; a wide array of poetry and paintings, grafted onto ...
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The cinema of Andrei Tarkovsky stands at the zenith of high-modernist cinema. Amongst the many technical achievements that characterize Tarkovsky’s total art approach to cinema, a few stand out: the fragmented and free floating diegeses of his films, which often defy the teleology of metanarratives; a wide array of poetry and paintings, grafted onto ...
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