Results 71 to 80 of about 117 (111)
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Philosophical Analysis of Andrey Tarkovsky’s Film “Andrey Rublev”
Almanac “Essays on Conservatism”The article aims to conduct a philosophical study of A. Tarkovsky’s cinematic utterance in the fi lm “Andrey Rubdev”, to identify the semantic structure of the fi lm, to show the movement of the director’s thought and at the same time the semantic gaps arising along this path, as well as to analyze the criticism regarding the fi lm.
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The poetic cinema of Andrei Tarkovsky
2005Hailed by Bergman as "one of the most important film directors of our time" Andrei Tarkovsky truly invented a "new language" in film. In the paper the author shows, in the example of Andrei's autobiographical film "The Mirror", the influence of his father Arseniy's poetry on the "rhythm" and "language" of Andrei's film making.
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The Science–Fiction Films of Andrei Tarkovsky
Science Fiction Studies, 1987Tarkovsky is the Soviet director responsible for two masterpieces of SE film: Solaris (1972), based on the book of the same title by Lem, and Stalker (1980), adapted from the Strugatsky brothers’ Roadside Picnic. Working primarily in terms of images, Tarkovsky organizes these films (like his previous ones) around a bipolarity: between Solaris and the ...
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Quizá Andrei Tarkovski haya sido uno de los últimos románticos. Sus películas son representaciones del hombre frente a la inmensidad de la naturaleza. Como en las del pintor Caspar David Friedrich. Reflejos de un humanista que quiso o sintió la necesidad de ahondar en el enigma de la existencia y que se materializaron en siete exploraciones sobre la ...
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Andrey Tarkovsky Sculpting in Time
Circa, 1986Nick Stewart, Kitty Hunter-Blair
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Andrei Tarkovsky: stalker of the unconscious
Journal of Analytical Psychology, 2017openaire +2 more sources
Solaris (Andrei Tarkovsky): Umanitatea dezumanizată
2018O analiză a principalelor aspecte psihologice și filosofice desprinse din filmul Solaris regizat de Andrei Tarkovski, precum și tehnicile cinematografice utilizate de regizor pentru a-și transmite mesajele spectatorului. După o prezentare a cărții, filmului și regizorului Andrei Tarkovsky, se evidențiază ritmul specific al scenelor, mișcarea radicală ...
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