Results 1 to 10 of about 189 (133)
Poetic representations of post-traumatic stress disorder in cinema - example of ivan’s childhood by andriei tarkovsky [PDF]
Introduction Cinema constitutes an artistic presentation of the spectrum of human emotions and offers a number of examples of artistic vision of posttraumatic stress disorder (PTSD).
N. Szejko
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Diabetic Muscle Infarction Masquerading as Necrotizing Fasciitis. [PDF]
A 43‐year‐old male patient with past medical history of diabetes mellitus (DM), end stage renal disease (ESRD) on hemodialysis (HD), congestive heart failure (CHF), obstructive sleep apnea (OSA), and chronic anemia presented with complaints of left thigh pain.
Janga KC +6 more
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Unpredictable nature of tolvaptan in treatment of hypervolemic hyponatremia: case review on role of vaptans. [PDF]
Hyponatremia is one of the most commonly encountered electrolyte abnormalities occurring in up to 22% of hospitalized patients. Hyponatremia usually reflects excess water retention relative to sodium rather than sodium deficiency. Volume status and serum osmolality are essential to determine etiology. Treatment depends on several factors, including the
Malhotra I +5 more
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement
Despite striking parallels between their philosophies and artistic work, there have been no prior dedicated studies of the reinforcing ideas of Siegfried Kracauer and Andrei Tarkovsky.
Daniel Sullivan
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Dina Musatova Speaks about Andrey Tarkovsky [PDF]
The conversation between Alexey Golubev, the editor-in-chief of the CSDF Museum website, and the film director Dina Musatova took place in November 2018. Dina (Vladilena) Mikhailovna Musatova is a theatre actress and documentary filmmaker.
Golubev, A.B.
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“I’ve been calling you all evening today…” A Letter from Andrey Tarkovsky [PDF]
This publication introduces into scholarly discourse a letter from the outstanding Russian director Andrey Tarkovsky to Iosif Manevich (1907–1976), the then editor-in-chief of Mosfilm and lecturer at the Gerasimov Institute of Cinematography (VGIK).
Dolgopyat, E. O
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“What about Bach? Where is the feeling there?” Arseniy Tarkovsky’s gramophone record collection at the State Central Film Museum and Andrey Tarkovsky’s Sound Universe [PDF]
The author of the article puts into academic circulation materials from the State Central Film Museum: the collection of Arseny Tarkovsky’s records, which had a significant impact on the development of his son, Andrei Tarkovsky, the famous Russian ...
Malaya, E. R.
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Richir, Tarkowskij und die Zone der Affektivität
The object of investigation is a systematic comparison between Marc Richir’s phenomenology of affectivity and Andrei Tarkovsky’s conception of film as a living image of time, illustrated by the work “Stalker”.
Philip Flock
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The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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The article offered to the reader returns to the debate about the work of film director A. A. Tarkovsky, whose work in Russian cinema turns out to be a special case.
Nikolay Hrenov / Николай Андреевич Хренов
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