Results 1 to 10 of about 127 (78)
Poetic representations of post-traumatic stress disorder in cinema - example of ivan’s childhood by andriei tarkovsky [PDF]
Eur Psychiatry, 2021 Introduction Cinema constitutes an artistic presentation of the spectrum of human emotions and offers a number of examples of artistic vision of posttraumatic stress disorder (PTSD).
Szejko N.
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Dina Musatova Speaks about Andrey Tarkovsky [PDF]
Телекинет, 2022 The conversation between Alexey Golubev, the editor-in-chief of the CSDF Museum website, and the film director Dina Musatova took place in November 2018. Dina (Vladilena) Mikhailovna Musatova is a theatre actress and documentary filmmaker.
Golubev, A.B.
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“I’ve been calling you all evening today…” A Letter from Andrey Tarkovsky [PDF]
Телекинет, 2022 This publication introduces into scholarly discourse a letter from the outstanding Russian director Andrey Tarkovsky to Iosif Manevich (1907–1976), the then editor-in-chief of Mosfilm and lecturer at the Gerasimov Institute of Cinematography (VGIK).
Dolgopyat, E. O
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“What about Bach? Where is the feeling there?” Arseniy Tarkovsky’s gramophone record collection at the State Central Film Museum and Andrey Tarkovsky’s Sound Universe [PDF]
Телекинет, 2022 The author of the article puts into academic circulation materials from the State Central Film Museum: the collection of Arseny Tarkovsky’s records, which had a significant impact on the development of his son, Andrei Tarkovsky, the famous Russian ...
Malaya, E. R.
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Med kadrom in montažo. Koncept časa v filmski teoriji in praksi Andreja Tarkovskega [PDF]
Phainomena, 2020 Between Shot and Montage. The Concept of Time in Film Theory and Practice of Andrei Tarkovsky - The paper presents Tarkovsky’s understanding of time as a subjective category that cannot be measured and is connected with our experience of life.
Jonas Miklavčič
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Индустрии впечатлений: Технологии социокультурных исследований, 2023 The article offered to the reader returns to the debate about the work of film director A. A. Tarkovsky, whose work in Russian cinema turns out to be a special case.
Nikolay Hrenov / Николай Андреевич Хренов
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Richir, Tarkowskij und die Zone der Affektivität
Síntesis. Revista de Filosofía, 2023 The object of investigation is a systematic comparison between Marc Richir’s phenomenology of affectivity and Andrei Tarkovsky’s conception of film as a living image of time, illustrated by the work “Stalker”.
Philip Flock
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Слово.ру: балтийский акцент, 2021 The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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“The Staff of Isaiah”: Catacomb Discourse in Arseny Tarkovsky’s Poetry
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2023 This article analyses the work of A. Tarkovsky (1907–1989), for whom 1917 became a turning point which subsequently determined his “internal emigration”.
Aleksandr Aleksandrovich Medvedev
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Walking in the light: reflections on screendance in a time of pandemic
The International Journal of Screendance, 2020 No abstract available.
Katrina McPherson
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