Results 11 to 20 of about 189 (133)

Med kadrom in montažo. Koncept časa v filmski teoriji in praksi Andreja Tarkovskega [PDF]

Phainomena, 2020
Between Shot and Montage. The Concept of Time in Film Theory and Practice of Andrei Tarkovsky - The paper presents Tarkovsky’s understanding of time as a subjective category that cannot be measured and is connected with our experience of life.
Jonas Miklavčič
doaj   +1 more source

Ethnography, Incongruity, History: Soviet Poetic Cinema

The Russian Review, Volume 82, Issue 1, Page 68-90, January 2023., 2023
Abstract This essay examines the entangling of the poetic and the ethnographic in the art cinema of the 1960s as an indicator of a broader collision of epistemological/discursive regimes in postwar Soviet cinema—and ultimately, a clash between two fundamentally opposed approaches to the discursive production of history.
Elizabeth A. Papazian
wiley   +1 more source

“The Staff of Isaiah”: Catacomb Discourse in Arseny Tarkovsky’s Poetry

Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2023
This article analyses the work of A. Tarkovsky (1907–1989), for whom 1917 became a turning point which subsequently determined his “internal emigration”.
Aleksandr Aleksandrovich Medvedev
doaj   +1 more source

Derivational peculiarities of the high style vocabulary in the lyrics of I.A. Brodsky and A.A. Tarkovsky

Вестник Самарского университета: История, педагогика, филология, 2023
The article is devoted to the word-formation features of high style vocabulary on the material of I.A. Brodsky’s and A.A. Tarkovsky poetry. The author shows the continuity of the poetic language of Brodsky and Tarkovsky with the heritage of Pushkin, and ...
L. B. Karpenko, T. V. Dmitrieva
doaj   +1 more source

Walking in the light: reflections on screendance in a time of pandemic

The International Journal of Screendance, 2020
No abstract available.
Katrina McPherson
doaj   +1 more source

Water symbolism in Tarkovsky's works [PDF]

پیکره, 2020
Cinema is one of the most pervasive media for the expression and conveyance of concepts and meanings to the audience. Tarkovsky's movies, meanwhile, are a deep visual representation of his intellectual and emotional surges.
Asghar Kafshchian Moghadam, Sara Allahyari   +1 more
doaj   +1 more source

Fundir el espejo y esculpir la imagen. Tarkovsky, agricultura y la transformación del paisaje

Aisthesis, 2022
En su libro The Cinematic Footprint (2012), la teórica de los estudios sobre el cine Nadia Bozak propone un análisis de la producción cinematográfica basado en su relación con los consumos y los recursos naturales de los que ésta depende.
Abelardo Gil-Fournier Martínez
doaj   +1 more source

The Cinematic Gaze as ‘A Long Loving Look at the Real’: Andrei Tarkovsky and Walter Burghardt’s Theology of Contemplation

, 2022
The Heythrop Journal, Volume 63, Issue 3, Page 425-437, May 2022.
James Lorenz
wiley   +1 more source

Oscar — 2022: Hamaguchi Ryūsuke

Ежегодник Япония, 2022
The article is devoted to the work of the famous Japanese film director Hamaguchi Ryūsuke — a representative of the new generation of Japanese cinematographers.
E. L. Katasonova
doaj   +1 more source

Pictorial Pretexts in A. Tarkovsky’s Works [PDF]

Художественная культура
The broad topic “Tarkovsky and painting” contains commonalities, such as the director’s citing of the paintings by Pieter Bruegel or Leonardo da Vinci, but there are also less explored aspects. The latter include A.
Dviniatina Jamila R.
doaj   +1 more source