Results 31 to 40 of about 185 (132)
The tension between created time and real time in Andrei Tarkovsky’s film Andrei Rubliov
Creativity Studies, 2019 This article starts with the presumption that Russian film director Andrei Tarkovsky (1932–1986) created a new conception of cinematic time. This impact on the theory of modern cinema was examined by philosopher Gilles Deleuze (1925–1995) in his book ...
Jūratė Baranova
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The Motherland and the Fight with Fascism: War Cult and War Film under Brezhnev (1965–82)
The Russian Review, Volume 83, Issue 4, Page 595-613, October 2024.Abstract This article, based on extensive archival documentation, newspapers, and periodicals, examines the impact upon the Soviet film industry of shifts in top‐level policy relating to representation of the war. It contends that Leonid Brezhnev’s May 8, 1965, speech on the eve of Victory Day propounded an inclusive vision of the war (later sections ...
Catriona Kelly
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The colour effect in lyrics by Arsenij Tarkovskij
Opera slavica, 2015 The article examines manifestations of color effects in the lyrics Arseny Tarkovsky. Attention is paid to the subject of poems related to the color symbolism.
Irina Zacharijeva
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Contaminações entre conceitos: um olhar sobre criação e pensamento com Gustav Mahler
Palíndromo, 2022 O presente artigo versa sobre experiência, pensamento e criação, reconhecendo que os temas são amplos, complexos, e sugerem muitos percursos. Buscam-se, assim, entrelaçamentos entre tais conceitos em três tópicos, fazendo-se três relações entre: a ...
Celso Vitelli
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And, 2012 In the 1983 film Nostalghia, Andrei Tarkovsky shows the main actors (Gorchakov, a Russian intellectual looking for the trail of an ancestor of his, a musician, and the young Eugenia, an interpreter accompanying him) in a Grand Tour searching for
Paolo Zermani
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A simbólica do absinto na teopoética de Dostoievski, Tarkovsky e Czeslaw Milosz
Reflexão, 2022 O imaginário da relação entre o tempo e a humanidade, na civilização judaico-cristã, desdobra-se em dois grandes mosaicos imagéticos, muitas vezes superpostos e contraditórios, que orientam visões sobre o mundo e sobre o papel do ser humano sobre a ...
Kátia Marly Leite Mendonça
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Kinema: A Journal for Film and Audiovisual Media, 2007 EISENSTEIN AND TARKOVSKY: AN UNEXPECTED CONNECTION For the majority of film scholars, the names of Tarkovsky and Eisenstein represent an opposition between two radically different approaches to the art of cinema. This opposition has been established by Tarkovsky himself, when he wrote: I am radically opposed to the way Eisenstein used the frame to ...
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Philosophical Subtexts of the Science Fiction Genre: Andrei Tarkovsky [PDF]
Художественная культураThis article examines the acute problem in 20th-century art — how to create a work of art capable of engaging a mass audience without sacrificing the meaning conceived by the artist — through the lens of two films by Russian director Andrei Tarkovsky ...
Khrenov Nikolai A.
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Linguae &: Rivista di Lingue e Culture Moderne, 2021 This article aims to analyze the evolution of Domenico’s character in the different versions of Nostalghia’s script, written by Andrei Tarkovsky and Tonino Guerra.
Cristina Matteucci
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“Sculpting from Time”: Attempts at Philosophical Reconstruction of A. Tarkovsky’s Legacy
Галактика медиа: журнал медиа исследованийThe article analyzes the work of film director Andrei Tarkovsky through an appeal to modern scientific versions of the interpretation of his films. The problematic of the study is related to the fact that despite the significant corpus of works devoted ...
Anastasia V. Kucherova
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