Results 41 to 50 of about 185 (132)

Tarkovsky's Napes

[in]Transition, 2020
Tarkovsky’s Napes begins with a study of Tarkovsky’s signature "nape" shot before moving into a more personal examination of crisis. Like many video essays, this film shifts modes of address as it transitions from subject to subject. Several questions came up, personal and general, while making this video.
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Tarkovsky and Brevity

Dandelion: Postgraduate Arts Journal and Research Network, 2012
Andrei Tarkovsky’s films have become bywords for the lengthy and challenging. Despite this reputation for sprawl, there was an undercurrent of concision in his thought and work. This article turns to a rarely discussed strand in Tarkovsky’s art: his Polaroid photographs.
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Linguocognitive bases for the integration of the poetic text into cinematic discourse

Слово.ру: балтийский акцент
The article delves into the intricacies of integrating poetic texts into the discourse of au­thorial cinema. It begins by examining the multifaceted interaction between cinema and poet­ry within contemporary artistic culture, framing author ...
Zykova I.V.
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Tarkovsky y el tiempo jamás perdido

La Revista Icono 14, 2019
Reseña de la obra:  Título del libro reseñado: Atrapad la vida: lecciones de cine para escultores del tiempo Autor: Andréi Tarkovski. Editorial: Errata Naturae. Año de la edición: 2017. Número de páginas: 181.
Carlos Javier Eguren Hernández
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Уходящее поколение сибиряков в прозе Михаила Тарковского

Rusycystyczne Studia Literaturoznawcze, 2020
This article analyses the image of the older generation of Siberians in the prose of the modern Russian author Mikhail Tarkovsky, drawing from stories, novellas, essays, and the detailed portrait of the Yenisey people found within the novel Toyota Cresta.
Svetlana Pavlenko
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Sounding, Quotation and Visualisation: Applying Poetic Logic. Realistic Cinema of Andrei Tarkovsky

Imafronte, 2010
A lo largo de los años y de sus siete películas, el destacado director de cine ruso Andrei Tarkovsky desarrolló una estrategia de rodaje llamada lógica poética.
Julia Shpinitskaya
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky

Cinéma & Cie
In the process of the emancipation of film music that took place in the first decades after World War II, the filmography of Michelangelo Antonioni and Andrei Tarkovsky offers multiple points of interest.
Gabriele
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Scientific terms in Arseny Tarkovsky’s poetic lexicon

Неофилология, 2019
This research is devoted to the linguistic aspect of Arseny Aleksandrovich Tarkovsky’s lyrics. We have considered such an uncharacteristic for the poetic text lexical layer as scientific terminology, which in the poems of Arseny Tarkovsky is not a single
Tatyana A. Voronova
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Анализ „природы” ностальгии в художественном пространстве кинокартины Андрея Тарковского Ностальгия

Studia Rossica Posnaniensia, 2019
The article concentrates on the penultimate work by Andrei Tarkovsky Nostalgia. It attempts at analyzing the nostalgia experienced by the main character as a longing for the Kingdom of Heaven. The interpretation of the artistic world of the film involved
Natalia Królikiewicz
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O fragmento do tempo – Andrei Tarkovski, Lao Zi, Maria Gabriela Llansol

Forma Breve, 2006
Este ensaio interroga uma expressão de Maria Gabriela Llansol, «se eu me concentrar num fragmento do tempo (...) esse fragmento revelará todo o tempo», confrontando- a com a proposta moderna do tempo como superação / aceleração.
Pedro Eiras
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