Results 21 to 30 of about 185 (132)

Time In Cinema And Modern Art: Reflections Inspired By Farshad Zahedi’s 'The Petrified Object And The Poetics Of Time In Cinema'

Journal of Science and Technology of the Arts, 2022
Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze –
Susana Viegas
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Children as a Reflection of Transcendence in the Filmography of Andrei Tarkovsky

Religions, 2023
Andrej Tarkovsky is a Russian film author who has indebted the entire world’s cinematography with his cinematic style. His (auto)biography and filmography give us a hint that he was a deeply religious man who believed that art should serve to deepen man ...
Irena Sever Globan, Marin Pavelić
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Tarkovsky’s Influence on American Culture (“Weird” and “Eerie” Cosmos of Christopher Nolan, Jonathan Nolan, and Andrei Tarkovsky) [PDF]

Литература двух Америк
In the United States, attention to Andrei Tarkovsky’s work has been extensive: Tarkovsky is an important reference point for both filmmakers and film theorists.
Lyubov D. Bugaeva
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Sculpting in time, space and spirituality: the Soviet film instructor Andrei Tarkovsky and his inner journey through his seven feature length movies (1962-1986)

Studia Humanitatis, 2022
Every year films of all kinds are produced, and the number of film directors is many all over the world. But among them there are individual geniuses who stand out from the crowd. The Soviet film director Andrei Tarkovsky is one of these geniuses.
Christensen Carsten Sander
doaj  

The Omens: Tarkovsky, Sacrifice, Cancer

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2020
In this elegiac essay on Andrei Tarkovsky’s last year, which traces his reluctant acceptance of cancer’s  inexorable advance and inevitable victory, Robert Bird interweaves fragments from the director’s life, writings, and films to offer a moving ...
Robert Bird
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For All Humankind: Peaceful, Ethical, Cooperative, and Curiosity‐Driven Space Science and Space Weather Research

Space Weather, Volume 23, Issue 9, September 2025.
Abstract Are we moving into a new reality where the next human stepping onto a different world will utter “That's one small step for me, a giant leap for my country”? Is further tightening Heliophysics and space weather research to military endeavors the solution to the decrease in federal funding for Heliophysics in the US and the worldwide increase ...
Noé Lugaz
wiley   +1 more source

Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement

Film-Philosophy
Despite striking parallels between their philosophies and artistic work, there have been no prior dedicated studies of the reinforcing ideas of Siegfried Kracauer and Andrei Tarkovsky.
Daniel Sullivan
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Absence and objectivity

Philosophy and Phenomenological Research, Volume 110, Issue 2, Page 374-402, March 2025.
Abstract I first show that a growing body of literature about the phenomenological and epistemic role of the structural features of experience can be recruited in favour of the view that absence experience is non‐veridical. Then I argue that such literature is in fact amenable to the view that absence experience is veridical if we rethink our ...
Emmanuel Ordóñez Angulo
wiley   +1 more source

From editorial board. A Sensation in the World of Tarkovsky Studies [PDF]

Телекинет, 2022
Statement about the important archive discovery of Andrei Tarkovsky's script Antarktida, dalekaya strana [Antarctica, a Distant country (1960-1966)], made by researchers Maxim Kazyuchits and Nina ...
Sputnitskaia, N., Kazyuchits, M.
doaj  

DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY

German Life and Letters, Volume 77, Issue 4, Page 538-558, October 2024.
ABSTRACT This article presents a geocritical interpretation (based on the methodological approach developed by Robert Tally) of two of Judith Hermann's short stories – ‘Diesseits der Oder’ and ‘Osten’. Written almost twenty years apart, the first of these takes place amidst the Oderbruch, whilst the second comprises Hermann's only literary text about a
Natasha Gordinsky
wiley   +1 more source