Results 51 to 60 of about 117 (111)
The article delves into Yakov Protazanov’s film Aelita (1924), marking its 100th anniversary. It aims to bring to light the nuances of the film, which were overlooked within Soviet film studies, while also highlighting the key differences between Alexei ...
SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.
doaj +1 more source
La intención de la presente comunicación es explicar el surgimiento de la conciencia de la identidad a través de la doble naturaleza, texto-imagen, que se da en los microrrelatos de Jodorowsky ilustrados por Boucq ‘El laberinto inundado’ y ‘Narciso y la ...
Carlos González-Espresati García-Medall
doaj
Interview with Benjamin Halligan
Benjamin Halligan is Director of the Graduate Programme for the School of Media, Music and Performance at the University of Salford. His publications include Michael Reeves (Manchester University Press, 2003), Mark E.
Marcelo Bergamin Conter
doaj
Arquitectura y Andrei Tarkovski
Andrei Tarkovsky praised the architectural space providing a unique nature. The leading figure of the Russian director reminds us of the romantic artists at the 19th century. The Romantic Movement was born in a critical moment, as well as Tarkovsky¿s film was born in a period where leads movements were gone and humanity was much more materialistic and ...
openaire +2 more sources
ReFocus: The Films of Andrei Tarkovsky
This is a book review of Sergei Toymentsev, ed., ReFocus: The Films of Andrei Tarkovsky (Edinburgh University Press, 2021).
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