Results 51 to 60 of about 119 (113)

Long Take in Cinema: A Philosophical Analysis (Based on the Works of Andrei Tarkovsky)

Галактика медиа: журнал медиа исследований
The aim of the article is to formulate the philosophical approaches to the interpretation of the long take as an aesthetic tool in the cinema of Andrei Tarkovsky.
Anastasia V. Kucherova
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Linguocognitive bases for the integration of the poetic text into cinematic discourse

Слово.ру: балтийский акцент
The article delves into the intricacies of integrating poetic texts into the discourse of au­thorial cinema. It begins by examining the multifaceted interaction between cinema and poet­ry within contemporary artistic culture, framing author ...
Zykova I.V.
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Creative use of objects as signs in cinema: an analysis of Sergei Parajanov’s Hakob Hovnatanyan

Creativity Studies
The paper presents an analysis of Sergei Parajanov’s short film, Hakob Hovnatanyan (1967), and its significance as an example of poetic cinema within Soviet cinematography.
Tigran Simyan
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AELITA BY YAKOV PROTAZANOV: MARS AS A COMPONENT OF THE UNCONSCIOUS OF THE 1920s’ INTELLECTUAL CHARACTER / «АЭЛИТА» ЯКОВА ПРОТАЗАНОВА: МАРС КАК ЧАСТЬ БЕССОЗНАТЕЛЬНОГО ГЕРОЯ-ИНТЕЛЛИГЕНТА 1920-х

Наука телевидения
The article delves into Yakov Protazanov’s film Aelita (1924), marking its 100th anniversary. It aims to bring to light the nuances of the film, which were overlooked within Soviet film studies, while also highlighting the key differences between Alexei ...
SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.
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Construcción de la identidad como juego especular en ‘El laberinto inundado’ y ‘Narciso y la bestia’ de Alejandro Jodorowsky y François Boucq: el espejo de Tarkovski como término de comparación

Lejana, 2010
La intención de la presente comunicación es explicar el surgimiento de la conciencia de la identidad a través de la doble naturaleza, texto-imagen, que se da en los microrrelatos de Jodorowsky ilustrados por Boucq ‘El laberinto inundado’ y ‘Narciso y la ...
Carlos González-Espresati García-Medall
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Interview with Benjamin Halligan

Intexto, 2014
Benjamin Halligan is Director of the Graduate Programme for the School of Media, Music and Performance at the University of Salford. His publications include Michael Reeves (Manchester University Press, 2003), Mark E.
Marcelo Bergamin Conter
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Arquitectura y Andrei Tarkovski

, 2017
Andrei Tarkovsky praised the architectural space providing a unique nature. The leading figure of the Russian director reminds us of the romantic artists at the 19th century. The Romantic Movement was born in a critical moment, as well as Tarkovsky¿s film was born in a period where leads movements were gone and humanity was much more materialistic and ...
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Andrei Tarkovsky: Critical Notes on a Bestiary

Philosophy Study, 2021
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Andrei Tarkovsky: Elements of Cinema (review) [PDF]

Cinema Journal, 2010
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Andrei Tarkovski

, 1995
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