Results 31 to 40 of about 119 (113)

Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement

Film-Philosophy
Despite striking parallels between their philosophies and artistic work, there have been no prior dedicated studies of the reinforcing ideas of Siegfried Kracauer and Andrei Tarkovsky.
Daniel Sullivan
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The Omens: Tarkovsky, Sacrifice, Cancer

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2020
In this elegiac essay on Andrei Tarkovsky’s last year, which traces his reluctant acceptance of cancer’s  inexorable advance and inevitable victory, Robert Bird interweaves fragments from the director’s life, writings, and films to offer a moving ...
Robert Bird
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Oscar — 2022: Hamaguchi Ryūsuke

Ежегодник Япония, 2022
The article is devoted to the work of the famous Japanese film director Hamaguchi Ryūsuke — a representative of the new generation of Japanese cinematographers.
E. L. Katasonova
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Sacrifice as Necessity and the Ascetic Principle of Filmmaking: Andrei Tarkovsky Reconsidered

Open Theology
This article focuses on sacrifice as a necessity and as an ascetic principle of the artistic process of creation. Examining the thought of Andrei Tarkovsky and the ways in which it manifests in his films, the article focuses on two concepts: ascetic ...
Radovic Milja
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Bilim-Kurgu Sinemasında Şiirsel Bir Deneme: Solaris

Türkiye Film Araştırmaları Dergisi, 2021
Polonyalı bilim kurgu yazarı Stanislaw Lem’in 1961’de yazdığı romandan uyarlama olan “Solaris”, Solaris gezegeninin yörüngesindeki bir uzay istasyonunda yaşanan doğaüstü olayların ve insanların hayalleriyle vicdan muhasebeleri üzerine bir bilim-kurgu ...
Mehmet Utku Şentürk
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Slowness as a Strategy of the Contemporary through Films

Airea, 2021
In Future Studies and the History of Technology accelerating change is a perceived increase in the rate of technological change throughout history.
Karen Heald
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky

Cinéma & Cie
In the process of the emancipation of film music that took place in the first decades after World War II, the filmography of Michelangelo Antonioni and Andrei Tarkovsky offers multiple points of interest.
Gabriele
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ODE TO JOY: BEETHOVEN’S NINTH SYMPHONY IN CINEMATOGRAPHIC INTERPRETATIONS / «К РАДОСТИ»: ДЕВЯТАЯ СИМФОНИЯ Л. БЕТХОВЕНА В КИНЕМАТОГРАФИЧЕСКИХ ИНТЕРПРЕТАЦИЯХ

Наука телевидения, 2023
The article examines the cinematic interpretations of Ludwig Beethoven’s Ninth Symphony, specifically focusing on the theme written by the composer to Friedrich Schiller’s text, An die Freude (Ode to Joy).
KONONENKO NATALIA G. / КОНОНЕНКО Н.Г.
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Identità

And, 2012
In the 1983 film Nostalghia, Andrei Tarkovsky shows the main actors (Gorchakov, a Russian intellectual looking for the trail of an ancestor of his, a musician, and the young Eugenia, an interpreter accompanying him) in a Grand Tour searching for
Paolo Zermani
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Unrealized Projects. Unproduced Screen Versions. S. Eisenstein, E. Ryazanov, L. Gaidai, A. Tarkovsky, E. Klimov [PDF]

Художественная культура
The article analyses unrealised art projects of the five Soviet film directors: the unproduced screen versions of Das Kapital by K. Marx, the novel Brothers Karamazov by F.M. Dostoevsky, the biographical essay Nameless Love about A.S.
Saraskina Liudmila I.
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