Results 31 to 40 of about 117 (111)

The Omens: Tarkovsky, Sacrifice, Cancer

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2020
In this elegiac essay on Andrei Tarkovsky’s last year, which traces his reluctant acceptance of cancer’s  inexorable advance and inevitable victory, Robert Bird interweaves fragments from the director’s life, writings, and films to offer a moving ...
Robert Bird
doaj   +1 more source

Slowness as a Strategy of the Contemporary through Films

Airea, 2021
In Future Studies and the History of Technology accelerating change is a perceived increase in the rate of technological change throughout history.
Karen Heald
doaj   +1 more source

Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement

Film-Philosophy
Despite striking parallels between their philosophies and artistic work, there have been no prior dedicated studies of the reinforcing ideas of Siegfried Kracauer and Andrei Tarkovsky.
Daniel Sullivan
doaj   +1 more source

ODE TO JOY: BEETHOVEN’S NINTH SYMPHONY IN CINEMATOGRAPHIC INTERPRETATIONS / «К РАДОСТИ»: ДЕВЯТАЯ СИМФОНИЯ Л. БЕТХОВЕНА В КИНЕМАТОГРАФИЧЕСКИХ ИНТЕРПРЕТАЦИЯХ

Наука телевидения, 2023
The article examines the cinematic interpretations of Ludwig Beethoven’s Ninth Symphony, specifically focusing on the theme written by the composer to Friedrich Schiller’s text, An die Freude (Ode to Joy).
KONONENKO NATALIA G. / КОНОНЕНКО Н.Г.
doaj   +1 more source

Sacrifice as Necessity and the Ascetic Principle of Filmmaking: Andrei Tarkovsky Reconsidered

Open Theology
This article focuses on sacrifice as a necessity and as an ascetic principle of the artistic process of creation. Examining the thought of Andrei Tarkovsky and the ways in which it manifests in his films, the article focuses on two concepts: ascetic ...
Radovic Milja
doaj   +1 more source

Bilim-Kurgu Sinemasında Şiirsel Bir Deneme: Solaris

Türkiye Film Araştırmaları Dergisi, 2021
Polonyalı bilim kurgu yazarı Stanislaw Lem’in 1961’de yazdığı romandan uyarlama olan “Solaris”, Solaris gezegeninin yörüngesindeki bir uzay istasyonunda yaşanan doğaüstü olayların ve insanların hayalleriyle vicdan muhasebeleri üzerine bir bilim-kurgu ...
Mehmet Utku Şentürk
doaj  

Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky

Cinéma & Cie
In the process of the emancipation of film music that took place in the first decades after World War II, the filmography of Michelangelo Antonioni and Andrei Tarkovsky offers multiple points of interest.
Gabriele
doaj   +1 more source

Visual Complexity in Japanese and European Cinema of the 1950s–1960s: Stylistic and Semantic Similarities and Differences / «Визуальная сложность» в японском и европейском кино 1950–1960-х годов: стилистические и смысловые сходства и различия

Наука телевидения, 2022
In this article, I study the stylistic features of Japanese cinematography of the middle of the twentieth century, which was introduced to European critics and the general public in the 1950s.
REIFMAN BORIS V. / РЕЙФМАН Б.В.
doaj   +1 more source

Identità

And, 2012
In the 1983 film Nostalghia, Andrei Tarkovsky shows the main actors (Gorchakov, a Russian intellectual looking for the trail of an ancestor of his, a musician, and the young Eugenia, an interpreter accompanying him) in a Grand Tour searching for
Paolo Zermani
doaj  

“Sculpting from Time”: Attempts at Philosophical Reconstruction of A. Tarkovsky’s Legacy

Галактика медиа: журнал медиа исследований
The article analyzes the work of film director Andrei Tarkovsky through an appeal to modern scientific versions of the interpretation of his films. The problematic of the study is related to the fact that despite the significant corpus of works devoted ...
Anastasia V. Kucherova
doaj   +1 more source