Results 11 to 20 of about 117 (111)

Realism, Dream, and ‘Strangeness’ in Andrei Tarkovsky

Film-Philosophy, 2004
At the centre of theories of film form is the idea that the montage of different scenes produces cinematic time. Montage creates a conflict between different shots, and time (as a purely functional relationship between shots) arises out of montage as an abstract element.
Thorsten Botz-Bornstein
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Visual Antinomy of Sacred Perfection. Ginevra de’ Benci’s Mystery in Tarkovsky’s Mirror

Визуальная теология, 2021
The article examines the significance of Renaissance aesthetics for Andrei Tarkovsky and explores the functioning and semiotic effects of the Renaissance figurative model in the film Mirror.
Elena Dulgheru
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The tension between created time and real time in Andrei Tarkovsky’s film Andrei Rubliov

Creativity Studies, 2019
This article starts with the presumption that Russian film director Andrei Tarkovsky (1932–1986) created a new conception of cinematic time. This impact on the theory of modern cinema was examined by philosopher Gilles Deleuze (1925–1995) in his book ...
Jūratė Baranova
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A Sacred Marriage. Hierogamy in the Most Hermetic Art, from Alchemy to The Sacrifice, by Andrei Tarkovsky

Eikón Imago, 2022
Many cosmogonies see the creation as a hierogamy, a non-dualist cosmogonic mytheme. It can also be found in alchemical engraving books, used in reference to one of the stages of the process, represented in iconography.
Roger Ferrer Ventosa
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Recognition of the Broken Windows Theory in "Dwelling" of Modern City; semiotics and content analysis from "The Sacrifice" by Andrei Tarkovsky [PDF]

Journal of Philosophical Investigations, 2022
The basic problem of urban man today is to live in an unbalanced and alien world; A world in which many parts are formed outside the sphere of human discretion and action.
MohammadReza Pourmohammadi, Farhad Barandak   +1 more
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Liturgy on the Reel

Journal for Religion, Film and Media, 2022
This article investigates representations of ascesis in film. Ascesis (askesis, ἄσκησις) is an ancient Christian praxis that remains an integral part of Eastern Orthodox Christianity.
Radovic, Milja
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Sculpting in time, space and spirituality: the Soviet film instructor Andrei Tarkovsky and his inner journey through his seven feature length movies (1962-1986)

Studia Humanitatis, 2022
Every year films of all kinds are produced, and the number of film directors is many all over the world. But among them there are individual geniuses who stand out from the crowd. The Soviet film director Andrei Tarkovsky is one of these geniuses.
Christensen Carsten Sander
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Lo jurodivyj in Nostalghia. Genesi ed evoluzione di Domenico nella sceneggiatura di Tarkovskij e Guerra

Linguae &: Rivista di Lingue e Culture Moderne, 2021
This article aims to analyze the evolution of Domenico’s character in the different versions of Nostalghia’s script, written by Andrei Tarkovsky and Tonino Guerra.
Cristina Matteucci
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Water symbolism in Tarkovsky's works [PDF]

پیکره, 2020
Cinema is one of the most pervasive media for the expression and conveyance of concepts and meanings to the audience. Tarkovsky's movies, meanwhile, are a deep visual representation of his intellectual and emotional surges.
Asghar Kafshchian Moghadam, Sara Allahyari   +1 more
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Tarkovsky’s Influence on American Culture (“Weird” and “Eerie” Cosmos of Christopher Nolan, Jonathan Nolan, and Andrei Tarkovsky) [PDF]

Литература двух Америк
In the United States, attention to Andrei Tarkovsky’s work has been extensive: Tarkovsky is an important reference point for both filmmakers and film theorists.
Lyubov D. Bugaeva
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