Results 1 to 10 of about 77 (73)
Slovo Ru: Baltic Accent, 2021 The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity.
Irina V. Zykova
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Dina Musatova Speaks about Andrey Tarkovsky [PDF]
Телекинет, 2022 The conversation between Alexey Golubev, the editor-in-chief of the CSDF Museum website, and the film director Dina Musatova took place in November 2018. Dina (Vladilena) Mikhailovna Musatova is a theatre actress and documentary filmmaker.
Golubev, A.B.
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“I’ve been calling you all evening today…” A Letter from Andrey Tarkovsky [PDF]
Телекинет, 2022 This publication introduces into scholarly discourse a letter from the outstanding Russian director Andrey Tarkovsky to Iosif Manevich (1907–1976), the then editor-in-chief of Mosfilm and lecturer at the Gerasimov Institute of Cinematography (VGIK).
Dolgopyat, E. O
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“What about Bach? Where is the feeling there?” Arseniy Tarkovsky’s gramophone record collection at the State Central Film Museum and Andrey Tarkovsky’s Sound Universe [PDF]
Телекинет, 2022 The author of the article puts into academic circulation materials from the State Central Film Museum: the collection of Arseny Tarkovsky’s records, which had a significant impact on the development of his son, Andrei Tarkovsky, the famous Russian ...
Malaya, E. R.
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Hamaguchi Ryūsuke’s Wheel of Fortune and Japanese Cinema
Ежегодник Япония, 2023 Japan Yearbook 2022 featured an article which reflected on the award-winning Japanese film Drive My Car (Doraibu mai-ka), directed by Hamaguchi Ryūsuke. It received the Academy Award for Best International Feature Film.
E. L. Katasonova
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Studia Humanitatis, 2022 Every year films of all kinds are produced, and the number of film directors is many all over the world. But among them there are individual geniuses who stand out from the crowd. The Soviet film director Andrei Tarkovsky is one of these geniuses.
Christensen Carsten Sander
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ANDREY TARKOVSKY SİNEMASINDA ZAMAN-İMGESİ: AYNA
Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 2022 Sinemanın imge yaratma kapasitesine odaklanan Gilles Deleuze, iki çeşit sinematografik imgeden bahsetmektedir. Bu iki imge türü aynı zamanda sinema tarihinde iki farklı döneme denk düşmektedir. II. Dünya Savaşı’na kadar olan dönemi hareket-imgesi kavramıyla tanımlayan Deleuze, burada eylemin ve aksiyonun öne çıktığını belirtmektedir.
İkbal BOZKURT AVCI, Derya ÇETİN
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment
Film-PhilosophySince his debut feature The Return (2003), Andrey Zvyagintsev's films have drawn focus from film critics and theorists seeking to investigate a contextual analysis or the director's religious allusions.
Louis Samuel Mealing
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ReFocus: The Films of Andrei Tarkovsky
Journal of Religion & Film, 2022 This is a book review of Sergei Toymentsev, ed., ReFocus: The Films of Andrei Tarkovsky (Edinburgh University Press, 2021).
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Modernist Cinema of Andrey Tarkovsky
Journal of Flm Arts and Film Studies, 2016 The article examines the work of Andrey Tarkovsky in the context of the 20 th century Modernist art. Dividing the world into the profane and sacral, the time and eternity, using the motifs characteristic of the literature of the early 1900s can also be found in Tarkovskys films.
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