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Realism, Dream, and ‘Strangeness’ in Andrei Tarkovsky
Film-Philosophy, 2004 At the centre of theories of film form is the idea that the montage of different scenes produces cinematic time. Montage creates a conflict between different shots, and time (as a purely functional relationship between shots) arises out of montage as an abstract element.
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Arquitectura y Andrei Tarkovski
, 2017 Andrei Tarkovsky praised the architectural space providing a unique nature. The leading figure of the Russian director reminds us of the romantic artists at the 19th century. The Romantic Movement was born in a critical moment, as well as Tarkovsky¿s film was born in a period where leads movements were gone and humanity was much more materialistic and ...
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