Results 21 to 30 of about 117 (111)
Анализ „природы” ностальгии в художественном пространстве кинокартины Андрея Тарковского Ностальгия
Studia Rossica Posnaniensia, 2019 The article concentrates on the penultimate work by Andrei Tarkovsky Nostalgia. It attempts at analyzing the nostalgia experienced by the main character as a longing for the Kingdom of Heaven. The interpretation of the artistic world of the film involved
Natalia Królikiewicz
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Contaminações entre conceitos: um olhar sobre criação e pensamento com Gustav Mahler
Palíndromo, 2022 O presente artigo versa sobre experiência, pensamento e criação, reconhecendo que os temas são amplos, complexos, e sugerem muitos percursos. Buscam-se, assim, entrelaçamentos entre tais conceitos em três tópicos, fazendo-se três relações entre: a ...
Celso Vitelli
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ANDREY TARKOVSKY SİNEMASINDA ZAMAN-İMGESİ: AYNA
Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 2022 Sinemanın imge yaratma kapasitesine odaklanan Gilles Deleuze, iki çeşit sinematografik imgeden bahsetmektedir. Bu iki imge türü aynı zamanda sinema tarihinde iki farklı döneme denk düşmektedir. II. Dünya Savaşı’na kadar olan dönemi hareket-imgesi kavramıyla tanımlayan Deleuze, burada eylemin ve aksiyonun öne çıktığını belirtmektedir.
İkbal BOZKURT AVCI, Derya ÇETİN
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Hamaguchi Ryūsuke’s Wheel of Fortune and Japanese Cinema
Ежегодник Япония, 2023 Japan Yearbook 2022 featured an article which reflected on the award-winning Japanese film Drive My Car (Doraibu mai-ka), directed by Hamaguchi Ryūsuke. It received the Academy Award for Best International Feature Film.
E. L. Katasonova
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Journal for Religion, Film and Media, 2020 This article explores the soteriological significance of desire in Сталкер (Stalker, Andrei Tarkovsky, USSR 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all ...
Lorenz, James
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Philosophical Subtexts of the Science Fiction Genre: Andrei Tarkovsky [PDF]
Художественная культураThis article examines the acute problem in 20th-century art — how to create a work of art capable of engaging a mass audience without sacrificing the meaning conceived by the artist — through the lens of two films by Russian director Andrei Tarkovsky ...
Khrenov Nikolai A.
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The Motherland and the Fight with Fascism: War Cult and War Film under Brezhnev (1965–82)
The Russian Review, Volume 83, Issue 4, Page 595-613, October 2024.Abstract This article, based on extensive archival documentation, newspapers, and periodicals, examines the impact upon the Soviet film industry of shifts in top‐level policy relating to representation of the war. It contends that Leonid Brezhnev’s May 8, 1965, speech on the eve of Victory Day propounded an inclusive vision of the war (later sections ...
Catriona Kelly
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A dimensão dialógica do exílio em Nostalgia de Andrei Tarkovsky
Diffractions, 2014 The condition of exile implies the violent detachment from the origins, a rupture which can be lived in a more or less dramatic way. Forced to leave the fatherland, permanently confronted by instability and the unknown, the exile rethinks the meaning of
Rui Manuel Brás
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On pairing visual shapes in painting and cinema
Семиотические исследования, 2023 The paper presents an analysis of the interaction of visual forms in painting and cinema (on the example of the pairing of A. Durer's painting and the modern cinema).
Elizabeth D. Khosueva +2 more
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Oscar — 2022: Hamaguchi Ryūsuke
Ежегодник Япония, 2022 The article is devoted to the work of the famous Japanese film director Hamaguchi Ryūsuke — a representative of the new generation of Japanese cinematographers.
E. L. Katasonova
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