Results 21 to 30 of about 89 (74)

White Color in Cinema and Screenwriting Poetics Andrey Tarkovsky (“Andrey Rublev” and “The Mirror”)

Studies in Theory of Literary Plot and Narratology
The article explores the meaning of white color in cinema and screenplay poetics of Andrei Tarkovsky’s “Andrei Rublev” and “The Mirror”, actualizes the parallels of the semantics of white in the cinema text with pictorial and textual solutions, including the lyrics of Arseny Tarkovsky.
N.A. Muratova, D.A. Bushueva
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Old Believers’ singing manuscripts from the collection of the Andrey Rublev Museum at the Avvakum jubilee exhibition at the Museum of Russian Icon

Russian Journal of Church History, 2022
The article is an expanded description of three 18th — 19th c. Old Believers’ origin chanting manuscripts from the collection of the Andrey Rublev Museum demonstrated at the anniversary Avvakum exhibition at the Museum of Russian Icon. These manuscripts — “Holidays”, “Octoechos and Obikhod” and “Trezvony” represent two branches of the Old Believers ...
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On the modern perception of Church art: sacred and artistic (based on the example of the “Trinity” icon by Reverend Andrei Rublev)

Богословский сборник Тамбовской духовной семинарии, 2023
The purpose of the article is to analyze the iconographic and historical-artistic properties of the Trinity icon by Andrei Rublev and to show the peculiarities of the perception of church art as a sacred and artistic work in a museum and a temple.
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Icon Samples in the Meeting of the Museum Named After Andrey Rublev. Collection Overview

Вестник церковного искусства и археологии, 2020
Статья посвящена обзору коллекции прорисей и иконописных образцов из собрания Музея древнерусского искусства имени Андрея Рублёва. Автор рассматривает сюжеты и особенности технического исполнения иконных образцов. Подробно говорит о наиболее интересных и ранних образцах.
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Invisibility of Soviet atheism: the work of A.A. Tarkovsky (Andrey Rublev, 1966)

Sociopolitical Sciences
This article analyzes some religious aspects of A. Tarkovsky’s work, in particular, those presented in the film “The Passion for Andrei” (Andrei Rublev, 1966), as a unique phenomenon of Soviet culture during the era of “scientific atheism.” Under the conditions of the dominance of this ideological program, Tarkovsky’s cinematography is explored as a ...
Evgeni I. Arinin, Valeria E. Volkova
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Corporeality and Transcendence: Physicality, Suffering, and Eroticism in Andrei Tarkovsky’s Andrei Rublev

Language Literature and Interdisciplinary Studies
This essay explores the relationship between the notion of corporeality in its various connotations, notably its aesthetic aspects, and the iconography of Andrei Tarkovsky’s Andrei Rublev (1966). The focus on the individual that struggles to achieve the desired transcendence through both artistic production and the gradual development of a conscious ...
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Andrei Rublev

, 1978
"Galán, Diego, 1946-" también ha firmado sus artículos como "Valle, Ramón"
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Biblia Natalis in Russia and in the East: The One-Book Exhibition in the Central Andrey Rublev Museum of Ancient Russian Culture and Art

Oriental Courier, 2019
The Oriental Vernissage opens with a coverage of an exhibition dedicated to a unique item that is interestingly relevant to several research directions reflected in this pilot edition of the OC. Jérôme Nadal’s illustrated Gospel, the rare extant copy of which in Russia is kept in the collection of the Central Andrei Rublev Museum in Moscow, was used by
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"Trinity" of St. Andrei Rublev: to the art-historical hermeneutics and theology of the icon

Research Result. Social Studies and Humanities, 2023
R. A. Lopin, D. V. Kuznetsov
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Toward a theory of perspective perception in pictures. [PDF]

J Vis
Hertzmann A.
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