Results 41 to 50 of about 89 (74)
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Creating is resisting: A Spinozian-Deleuzian reading of Andrei Rublev
Empedocles, 2017Francesco Sticchi
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Inventing Andrei: Soviet and Post-Soviet Views of Andrei Rublev and his Trinity Icon
Slavonica, 2003(2003). Inventing Andrei: Soviet and Post-Soviet Views of Andrei Rublev and his Trinity Icon. Slavonica: Vol. 9, No. 2, pp. 83-90.
Lindsey Hughes
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Review: Andrey Rublev: The Artist and His World
2023Book review of Andrey Rublev: The Artist and His World by Robin Milner-Gulland. Reaktion Books, distributed by the University of Chicago Press, May 2023. 152 p. ill. ISBN 978-1-78914-680-6 (h/c), $22.50. Reviewed September 2023 by Meg Black, Collection Management Librarian, Minneapolis College of Art and Design, mblack@mcad.edu.
Black, Meg +2 more
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Journal of Religion and Film, 1999 Socialist realism in Tarkovsky's Andrei Rublev
Studies in Comparative Communism, 1984exaly +2 more sources
Siberian Art History Journal, 2022
The article is devoted to the study of two type’s fine art interaction – cinema and icon painting. Based on the comparative work analysis of ancient Russian iconography «The Almighty Saved», created by Andrei Rublev at the beginning of the XV century, and the cinematography work «Andrei Rublev», directed by Andrei Tarkovsky in the second half of the XX
Dana Olkhina, Maria Tarasova
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The article is devoted to the study of two type’s fine art interaction – cinema and icon painting. Based on the comparative work analysis of ancient Russian iconography «The Almighty Saved», created by Andrei Rublev at the beginning of the XV century, and the cinematography work «Andrei Rublev», directed by Andrei Tarkovsky in the second half of the XX
Dana Olkhina, Maria Tarasova
openaire +1 more source