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Adaptation, translation and indeterminacy in Michelangelo Antonioni’s Blow-Up: Towards a third space of representation

Journal of Adaptation in Film and Performance, 2020
Michelangelo Antonioni’s films are rarely associated with translation and adaptation. Yet, his work consistently explores the very essence of images, their ambiguous relation to reality and the deceptive nature of perception.
Laurence Besnard-Scott
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