Results 211 to 220 of about 14,380 (280)

Antonioni and the Aesthetics of Impurity

2020
Michalangelo Antonioni’s 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema’s ‘modern’ incarnation. Reconnecting Antonioni’s aesthetically audacious films of the 1960s to the ferment of their historical time,
M. Nardelli
exaly   +2 more sources

Michelangelo Antonioni, Tourist Snapshots, and the Politics of the ‘Backward Scene’ in 1970s China

Journal of Contemporary History
In 1972, Radio Televisione Italiana, Italy's state broadcaster, commissioned famed director Michelangelo Antonioni to film a documentary in the People's Republic of China, following the resumption of diplomatic relations between the two nations ...
Gavin Healy
exaly   +2 more sources

Antonioni’s America

When the Movies Mattered, 2019
In January 1967 executives from MGM contracted with European New-Wave icon Michelangelo Antonioni to distribute his Palm d’Or-winning picture Blow-Up in the United States. With the commercial success of that picture, MGM entered into a second contract with Antonioni giving him
Jon E. Lewis
openaire   +2 more sources

Michelangelo Antonioni's “Red Desert”: A Study on the Characteristics of Frames, Short, Montage as Signs of Time-Image

The Korean Society of Culture and Convergence, 2023
Based on Deleuze's film image theory, this paper analyzes Michelangelo Antonioni's film “Red Desert” and analyzes the independent style of frame, short, and montage used by Antonioni in the film “Red Desert”.
Won Shin
semanticscholar   +1 more source

Antonioni’s Anthropocene and Guerra’s enchanting gardens

Journal of Italian Cinema & Media Studies, 2023
This article explores the seemingly discordant ecologies that animate the ecopoetics of Tonino Guerra’s thinking, arguing that in Guerra’s work we find both a critique of human uses and abuses of the environment – in the era of environmental loss we are ...
Elena Past
semanticscholar   +1 more source

Antonioni, or, The Surface of the World

, 2023
Acknowledgments A Note on Photographic Reproductions Introduction 1. Early Films 2. Il grido 3. The Great Tetralogy: Plots and Themes 4. The Great Tetralogy: Characters 5. The Great Tetralogy: Settings and the Environments 6.
S. Chatman
semanticscholar   +1 more source

Becoming Giuliana: Antonioni'sRed Desertand the Capitalist Social Machine

, 2021
This essay employs Deleuze and Guattari's analysis of the capitalist social machine to explore Michelangelo Antonioni's Red Desert (1964). More specifically, it addresses the psychological struggles of the film's female protagonist, Giuliana, with ...
R. Letteri
semanticscholar   +1 more source

Introduction: Antonioni and the Aesthetics of Impurity

, 2020
The introduction addresses the ‘modernity’ of Antonioni’s 1960s films in the context of the proliferation of the mass image in postwar culture on the one hand, and aesthetic and art-historical debates about medium specificity, and ‘purity’, on the other.
M. Nardelli
semanticscholar   +1 more source

Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023)

Journal of Italian Cinema & Media Studies
Review of: Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023) New York and London: Bloomsbury Academic, 185 pp., ISBN 978-1-50139-823-0, h/bk, £81 ...
Jacopo Benci
semanticscholar   +1 more source

The Antonioni House: Sensory-Temporal Architecture

RUUKKU Studies in Artistic Research
In this paper I propose to re-visit the outcome of a research trip I made a few years ago to the island of Sardinia in order to capture stills and video of a dilapidated villa, La Cupola, once belonging to the Italian filmmaker Michelangelo Antonioni ...
Peter Spence
semanticscholar   +1 more source