Results 221 to 230 of about 14,380 (280)
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Journal of Italian Cinema & Media Studies
The People’s Republic of Poland, an undemocratic state that existed from 1947 to 1989, was politically dependent on the Soviet Union. It relied on its cultural policy of heavily rationing access to products made in capitalist countries; few exceptions ...
Anna Miller-Klejsa
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The People’s Republic of Poland, an undemocratic state that existed from 1947 to 1989, was politically dependent on the Soviet Union. It relied on its cultural policy of heavily rationing access to products made in capitalist countries; few exceptions ...
Anna Miller-Klejsa
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The body of Milan in Gabriele Basilico and Michelangelo Antonioni
, 2019Gabriele Basilico and Michelangelo Antonioni shared an interest in urban landscape and each developed a distinct aesthetics inspired by this constant dialogue with architecture and urban spatial forms.
Francesco Rabissi
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Cultural memory against institutionalised amnesia: the Togliatti amnesty and Antonioni’s I vinti
Modern Italy, 2018This article studies post-war Italy’s forgetful attitude towards its Fascist past by interpreting a political measure, the Togliatti amnesty (1946), and 1950s film censorship as ‘institutionalised forms of (…) amnesia’ (Ricoeur 2004, 452).
Paolo Saporito
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КИНОЭСТЕТИКА ПУСТОТЫ: МИКЕЛАНДЖЕЛО АНТОНИОНИ И КИМ КИ ДУК
ACTA ERUDITORUM, 2018Статья посвящена сравнительному анализу раскрытия образа пустоты в западном и восточном кинематографе на примерах фильмов М. Антониони и Ким Ки Дука. Одним из главных художественных средств, используемым данными режиссерами для создания образа пустоты ...
С М Малкина
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Historical Journal of Film, Radio and Television, 2013
La recensione analizza il volume curato da Laura Rascaroli e John David Rhodes, valutandone positivamente l'apertura disciplinare e l'attenzione ai film e agli aspetto meno studiati dell'opera di Antonioni.
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La recensione analizza il volume curato da Laura Rascaroli e John David Rhodes, valutandone positivamente l'apertura disciplinare e l'attenzione ai film e agli aspetto meno studiati dell'opera di Antonioni.
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2010
There are many memorable scenes in Martin Scorsese’s modern classic Taxi Driver (1976). This article focuses on a single shot that occurs thirty-five minutes into the film as Travis (Robert De Niro) is talking to Betsy (Cybill Shephard) on the phone.
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There are many memorable scenes in Martin Scorsese’s modern classic Taxi Driver (1976). This article focuses on a single shot that occurs thirty-five minutes into the film as Travis (Robert De Niro) is talking to Betsy (Cybill Shephard) on the phone.
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Canadian Journal of Film Studies, 1991
L'oeuvre d'Antonioni est caractérisé par plusiers "paires binaires" récurrentes: nature/technologie; l'ancien/le nouveau; la personne/les masses; fusion/division; male/femelle. Dans chacune des paires, la relation des idées l'une à l'autre est très particulière, tellement particulière que les questions par rapport à sa nature sont finalement ...
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L'oeuvre d'Antonioni est caractérisé par plusiers "paires binaires" récurrentes: nature/technologie; l'ancien/le nouveau; la personne/les masses; fusion/division; male/femelle. Dans chacune des paires, la relation des idées l'une à l'autre est très particulière, tellement particulière que les questions par rapport à sa nature sont finalement ...
openaire +1 more source