Results 51 to 60 of about 7,577 (174)
Данное издание используется на занятиях студентами ООП Классическая филология (древнегреческий и латинский языки; античная литература) и Классическая филология и античная традиция в мировой культуре/ Aristophanes (ок. 446-385 до н. э.). . Plutus [Текст]
Aristophanes
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Melōsa and her prize: The victory of a woman in ancient Greece
Abstract The earliest example of the Ancient Greek word for a victor's prize, nikatērion, comes in a verse inscription from the sixth century bce on an Attic kylix (wine cup) from Taras. It records the victory of Melōsa in a competition with other young women. This article draws out the significance of her victory and redefines our understanding of who
Ian Plant
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Creativity in the Ancient Greek Philosophy: The Politics of Demiourgein
ABSTRACT Where does creativity come from and what is its purpose? The paper revisits these ever‐turning questions to correct the prevalent but, arguably, inaccurate historical interpretation of creativity as a concept that emerged in modernity. First, I substantiate that a close study of the ancient Greek texts suggests that although creativity seems ...
Brokalaki Zafeirenia
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Classical comedy, Aristophanes, Ecclesiazusae
Presents adaptations of Aristophanes' play Ecclesiazusae and Plautus' play The Braggart Soldier. Designed to convey the differing characteristics of Greek and Roman comedy.Cast: Diana Rayworth, Margi Campi, Yvonne Dalpra, Roger Sloman, John Halstead ...
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e Graeco in Latinum, ad verbum translatae Andrea Divo Iustinopolitano interprete: quarum nomina sequens indicabit paginaMit ZierinitialenSignaturen: a-z⁸, A-S⁸Drucker und Erscheinungsjahr aus Kolophon: "APVD HAEREDES CRATANDRI, Mense Martio, Anno M.
Aristophanes
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A Euripides quote in the prologue to The Knights (Eq. 14–20)
This article deals with the distribution of dialogue lines between two slaves in the prologue of Aristophanes’ The Knights. There is no agreement among editors which slave utters the quote from Euripides’ Hippolytus (Eur. Hipp.
G. S. Belikov
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Abstract Leading philosophical models of curiosity represent it as a desiderative attitude whose content is a question, and which is satisfied by knowledge of the answer to that question. I argue that these models do not capture the distinctive character of a form of curiosity that I call 'erotic curiosity'.
Daniela Dover
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Bogensignaturen: α-ω⁸, A-M⁸, N⁴Titelseite sowie Bl.α4 verso und Bl. α8 verso zweifarbig (rot-schwarz) gedrucktImpressum im Kolophon mit Druckermarke auf Bl. N4: "Francofvrti ex officina Petri Brubachij, Anno M.
Aristophanes
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Aristofane, poeta comico per antonomasia nei testi di Luciano?
As a satirist, Lucian looks up to Aristophanes as one of his main literary models and mentions him thrice across his corpus in programmatic passages. Moreover, he quotes a few whole verses (seven, overall) to be attributed to a κωμικός. Such an ambiguous
Martina Tosello
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