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“Cries and cracks”: “animal” rhythms in Ezra Pound’s translations from Arnaut Daniel
This article looks at Ezra Pound’s translation of the troubadour Arnaut Daniel’s canso “L’aura amara” as a way of studying what Pound’s practice of translation shows us about his conception and practice of rhythm. According to Pound, the interest in Daniel’s canso lies in its onomatopoeia, its imitation of birdsong; this view accords with suggestions ...
Eastman, Andrew
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Que acortz s’apel mos cantz. The Place of acort in the Vocabulary of Arnaut Daniel
Poe Elizabeth Wilson. Que acortz s’apel mos cantz. The Place of acort in the Vocabulary of Arnaut Daniel. In: Romania, tome 131 n°521-522, 2013. pp.
Wilson POE, Elizabeth
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