Results 91 to 100 of about 13,534 (218)
O monodrama Erwartung, de Arnold Schoenberg, foi caracterizado por um lado como síntese do expressionismo e, por outro, como uma composição não definível por meio de categorias formais.
Philippe Curimbaba Freitas
doaj
Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials [PDF]
Originally published at http://proceedings.eurosa.org/2/schmidt.pdfThis paper examines the peculiar status of musical compositions that are intended to serve as memorials of victims of political violence.
Schmidt, James
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Boston University Percussion Ensemble, Early Music: The Percussion Ensemble Before 1945, March 3, 2008 [PDF]
This is the concert program of the Boston University Percussion Ensemble performance on Monday, March 3, 2008 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Living Room Music" by John Cage, "Canticle #1" by Lou Harrison,
School of Music, Boston University
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Atonal Music as a Model for Investigating Exploratory Behavior. [PDF]
Mencke I +3 more
europepmc +1 more source
O dodecafonismo como um conceito musical
Neste artigo, o dodecafonismo é revisitado com o objetivo de criar uma perspectiva histórica sobre sua significação, abrangendo desde seu desenvolvimento por Arnold Schoenberg, passando por algumas teorizações e debates suscitados pela técnica, até sua ...
Juliane Larsen
doaj +1 more source
An Evening of Song, March 12, 1996 [PDF]
This is the concert program of the An Evening of Song performance on Tuesday, March 12, 1996 at 6:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Combinatorics in the Art of the Twentieth Century [PDF]
This paper is motivated by a question I asked myself: How can combinatorial structures be used in a work of art? Immediately, other questions arose: Whether there are artists that work or think combinatorially?
Barrière Figueroa, Eulalia
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Thank You to Our Peer Reviewers in 2023
Health Expectations, Volume 27, Issue 6, December 2024.
wiley +1 more source
Ellalou Dimmock Honors Voice Recital, March 20, 2009 [PDF]
This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Friday, March 20, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were "L'amerò sarò costante"
School of Music, Boston University
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