Results 71 to 80 of about 13,534 (218)
Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur ...
Nada Bezić
doaj
Faculty recital: George Neikrug and Martin Amlin, March 15, 1995 [PDF]
This is the concert program of the Faculty recital: George Neikrug and Martin Amlin performance on Wednesday, March 15, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
In the musical cultures of the world, including the oral traditions of European peoples, a wide variety of musical scales have been and still are used.
Lock Hans-Gunter
doaj +1 more source
Faculty concert: "Dreams, Delirium and Transcendence In the Music of our Time," January 30, 1998 [PDF]
This is the concert program of the Faculty Concert: "Dreams, Delirium and Transcendence In the Music of our Time" performance on Friday, January 30, 1998 at 8:00 p.m., at the Tsai Performanc Center, 685 Commonwealth Avenue.
School of Music, Boston University
core
A surrogate for the soul: Wittgenstein and Schoenberg [PDF]
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
core
Time's Arrow Ensemble, December 11, 2008 [PDF]
This is the concert program of the Time's Arrow Ensemble performance on Thursday, December 11, 2008 at 7:30 p.m., at Boston University Concert Hall, 855 Commmonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Faculty recital by Robert Gartside, tenor with Keith Humble, pianist, March 10, 1970 [PDF]
This is the concert program of Faculty Recital by Robert Gartside, tenor with Keith Humble, pianist on Tuesday, March 10, 1970 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
This paper aims at initiating an investigation on the process of developing variation employed by Alban Berg in the composition of his Piano Sonata Op. 1.
Carlos de Lemos Almada
doaj
Boston University Symphony Orchestra and Symphonic Chorus, April 7, 2003 [PDF]
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 7, 2003 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Variationen für Orchester," Op. 31 by Arnold
School of Music, Boston University
core

