Results 61 to 70 of about 13,534 (218)

Xanthos Ensemble, November 20, 2010 [PDF]

open access: yes, 2010
This is the concert program of the Xanthos Ensemble performance on Saturday, November 20, 2010 at 4:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Thank You to Our 2023 Peer Reviewers

open access: yesGeophysical Research Letters, Volume 51, Issue 9, 16 May 2024.
Abstract On behalf of the journal, AGU, and the scientific community, the editors of Geophysical Research Letters would like to sincerely thank those who reviewed manuscripts for us in 2023. The hours reading and commenting on manuscripts not only improve the manuscripts, but also increase the scientific rigor of future research in the field.
Harihar Rajaram   +32 more
wiley   +1 more source

Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg Symbology and heredity on the formation of a Grundgestalt: the first of Berg's Four Songs Op.2

open access: yesPer Musi, 2013
Integrando um amplo projeto de pesquisa que visa elaborar uma metodologia analítica específica para os procedimentos de variação progressiva, o presente estudo examina a possibilidade de existência de, por assim dizer, transmissão hereditária (extraopus)
Carlos de Lemos Almada
doaj  

O Melos e Harmonia Acústica 1988 de César Guerra-Peixe: um breve estudo de sua estrutura e das influências de Hans Joachin Koellreutter e Paul Hindemith em sua confecção

open access: yesOuvirOUver, 2015
O presente artigo é um desenvolvimento da conferência “O conceito de motivo no Melos e Harmonia Acústica 1988 de Guerra-Peixe”, proferida na ocasião do I Ciclo Nacional de Eventos de Extensão e Pesquisa do Programa de Pós-graduação da UNIRIO realizado em
Ernesto Hartmann
doaj   +1 more source

John Daverio, violin and Martin Amlin, piano, January 25, 1985 [PDF]

open access: yes, 1985
This is the concert program of the John Daverio, violin and Martin Amlin, piano performance on Friday, January 25, 1985 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata in A major, Op.
School of Music, Boston University
core  

What is (quantitative) system dynamics modeling? Defining characteristics and the opportunities they create

open access: yesSystem Dynamics Review, Volume 40, Issue 2, April/June 2024.
Abstract A clear definition of system dynamics modeling can provide shared understanding and clarify the impact of the field. We introduce a set of characteristics that define quantitative system dynamics, selected to capture core philosophy, describe theoretical and practical principles, and apply to historical work but be flexible enough to remain ...
Asmeret Naugle   +2 more
wiley   +1 more source

To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance

open access: yesAisthesis, 2017
The article examines the use of the concept of mimesis in Adorno’s notes towards a theory of musical performance. In trying to idiosyncratically define the latter as “reproduction”, Adorno relied on a framework elaborating on concepts introduced by ...
Alessandro Cecchi
doaj   +3 more sources

Guest Artist Recital: Wolfgang David, violin, David Gompper, piano, September 25, 2007 [PDF]

open access: yes, 2007
This is the concert program of the Guest Artist Recital: Wolfgang David, violin, David Gompper, piano performance on Tuesday, September 25, 2007 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Analysis of dynamic models by optimization

open access: yesSystem Dynamics Review, Volume 40, Issue 1, January/March 2024.
Abstract Decision‐makers use system dynamics models to understand how model structure causes problematic behaviors, and how the structure should be changed to improve performance. However, understanding problem behavior and designing policies can be complicated without analytical tools.
Erling Moxnes, Sergey Naumov
wiley   +1 more source

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