Results 41 to 50 of about 309,459 (218)
A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
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Archival research at the Arnold Schoenberg Center, Vienna, Austria [PDF]
, 2006 Research Enhancement Program Final ReportMy current research centers on the early tonal songs of Arnold Schoenberg. All of the hand-written manuscripts are housed at the Arnold Schoenberg Center in Vienna, Austria. While there (29 June - 5 Aug), I viewed
Gonzales, Cynthia
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The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld
Religions, 2019 This article examines the use of central elements of the Jewish religious repertoire and transcendental realm, such as prophecy or revelation, within the aesthetic secular realm of musical avant-garde and modern Hebrew literature. By focusing on two case
Michal Ben-Horin
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Schoenberg Five Pieces for Orchestra and Beethoven Symphony No. 9, April 26, 2004 [PDF]
, 2004 This is the concert program of the Schoenberg Five Pieces for Orchestra and Beethoven Symphony No. 9 performance on Monday, April 26, 2004 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts.
School of Music, Boston University
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Arnold Schoenberg e o paradoxo de sua Klavierstück Op. 33a
Musica TheoricaEste artigo explora a aparente e paradoxal contradição presente na Klavierstück Op. 33a de Arnold Schoenberg, na qual uma forma musical inerentemente típica do tonalismo clássico — a forma sonata — foi utilizada para organizar uma composição feita em ...
Marcus Bittencourt +1 more
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Beyond the Beethoven Model: Sentence Types and Limits
Current Musicology, 2004 It is quite likely that no other form in the history of Western music theory has been so strongly associated with a single musical example as the sentence.
Matthew Bailey Shea
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Unalienated labor as cooperative self‐determination: Aristotle and Marx
European Journal of Philosophy, Volume 33, Issue 1, Page 29-55, March 2025.Abstract In this paper, I offer an original interpretation of Marx's conception of unalienated labor, which I frame as a response to Aristotle's view of work, or technē. Both Aristotle and Marx share a particular conception of freedom as “normative self‐determination,” according to which an activity is free insofar as it does not depend for its value ...
Kyle Scott
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Hans Eisler: Companheiro musical de Brecht
Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2000 Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
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Opus, 2018 In the present work we investigate the possible relationship between the structure (identified by Arnold Schoenberg as a "sentence") of the first eight bars of Ludwig van Beethoven's Piano Sonata, op.2, no.
Mirna Azevedo Costa, Ernesto Hartmann
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Analisis Penerapan Teknik Duabelas Nada dalam Piano Pieces Op. 33 Karya Arnold Schoenberg [PDF]
, 2009 Sistem duabelas nada merupakan salah satu teknik komposisi yang cukup penting di abad 20 yang ditemukan oleh Arnold Schoenberg. Arnold Schoenberg(1874-1951), komponis kelahiran Wina hingga dikenal di kalangan seniman kota Wina-Austria sebagai komponis ...
Berta Widyati Epipeni, Brigida
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