Results 41 to 50 of about 13,534 (218)
Repetition as a principle of mythological thinking and music of the twentieth century
Musicologica Brunensia, 2017 Art of the 20th century is characterized by the rise of the mythical thought and transformation of the myth into an artistic creativity. In music we can encounter manifestations of conscious and unconscious neo-mythologism in various forms.
David Kozel
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Hanns Eisler: companheiro musical de Brecht [PDF]
, 2012 This paper portrays the composer Hanns Eisler, whose music accompanies numerous plays by Bertolt Brecht, in the light of statements made by Eisler himself, as well as by Arnold Schoenberg and Bertolt Brecht.
Oliveira, Willy Corrêa de
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Unalienated labor as cooperative self‐determination: Aristotle and Marx
European Journal of Philosophy, Volume 33, Issue 1, Page 29-55, March 2025.Abstract In this paper, I offer an original interpretation of Marx's conception of unalienated labor, which I frame as a response to Aristotle's view of work, or technē. Both Aristotle and Marx share a particular conception of freedom as “normative self‐determination,” according to which an activity is free insofar as it does not depend for its value ...
Kyle Scott
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CoSMO, 2020 This paper focuses on the relation between text and music from the perspective Schoenberg’s reflections in essay “The Relationship to the text” offers. George’s lyrics provoked Schoenberg to cross over the unexplored territory of atonality.
Anna Maria Rastelli
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De l'acte de création à l‘acte révolutionnaire: le cas Schoenberg
Revista Latinoamericana de Psicopatologia Fundamental, 2021 La réception des œuvres d'Arnold Schoenberg dans la Vienne d'avant la Première Guerre mondiale est foudroyante. Les scandales se succèdent et la musique atonale du compositeur avant-gardiste vient bouleverser la sensibilité morale, esthétique et ...
Anne-Sophie Guillen
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Boston University Symphony Orchestra, March 27, 1989 [PDF]
, 1989 This is the concert program of the Boston University Symphony Orchestra performance on Monday, March 27, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were A Survivor from Warsaw, Op. 46 by Arnold Schoenberg,
School of Music, Boston University
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Composers' Forum, January 29, 1985 [PDF]
, 1985 This is the concert program of the Composers' Forum performance on Tuesday, January 29, 1985 at 12:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Lullaby by Lance Hulme, Kammer Konzert, Op.
School of Music, Boston University
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Il poema sinfonico nell'opera giovanile di Arnold Schoenberg [PDF]
, 2008 Gli esordi di Arnold Schoenberg sono da qualche tempo al centro dell'interesse della ricerca musicologica. La rinnovata attenzione verso le opere giovanili del compositore viennese è legata a doppio filo ai motivi di un nuovo dibattito storiografico ...
Finocchiaro, Francesco
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Arnold Schoenberg e o paradoxo de sua Klavierstück Op. 33a
Musica TheoricaEste artigo explora a aparente e paradoxal contradição presente na Klavierstück Op. 33a de Arnold Schoenberg, na qual uma forma musical inerentemente típica do tonalismo clássico — a forma sonata — foi utilizada para organizar uma composição feita em ...
Marcus Bittencourt +1 more
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The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld
Religions, 2019 This article examines the use of central elements of the Jewish religious repertoire and transcendental realm, such as prophecy or revelation, within the aesthetic secular realm of musical avant-garde and modern Hebrew literature. By focusing on two case
Michal Ben-Horin
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