Results 51 to 60 of about 13,534 (218)
Boston University Symphony Orchestra, October 5, 1995 [PDF]
, 1995 This is the concert program of the Boston University Symphony Orchestra performance on Thursday, October 5, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were "Die Vorstellung des Chaos"
School of Music, Boston University
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Beyond the Beethoven Model: Sentence Types and Limits
Current Musicology, 2004 It is quite likely that no other form in the history of Western music theory has been so strongly associated with a single musical example as the sentence.
Matthew Bailey Shea
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Muir String Quartet, March 20, 1990 [PDF]
, 1990 This is the concert program of the Muir String Quartet performance on Tuesday, March 20, 1990 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet No.
School of Music, Boston University
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Yvonne Loriod and the Practice of Analytical Memory
Music Analysis, Volume 43, Issue 3, Page 331-379, October 2024.ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
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Hans Eisler: Companheiro musical de Brecht
Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2000 Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
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Concert of contemporary works, York Late Music Concert Series, 7 March 2015, with premieres of new works by Steve Crowther and Edward Caine (Etude: Resonance) [PDF]
, 2015 Part of a wider concert with works of James Dillon, Judith Weir, Arnold Schoenberg, Robert Schumann, Gyorgy Kurtág, Gyorgy ...
Pace, I.
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Graduate recital by Eleanor Carlson, piano, February 15, 1965 [PDF]
, 1965 This is the concert program of the Graduate Recital by Eleanor Carlson, piano on Monday, February 15, 1965 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Suite, Op. 25 by Arnold Schoenberg, Davidsbündler, Op. 6 by Robert
School of Music, Boston University
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Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
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Adorno ouvindo-pensando a nova música
OuvirOUver, 2013 A música atonal de Arnold Schoenberg é considerada de difícil audição, assim como se diz que a filosofia de Theodor Adorno é de difícil leitura. O que este artigo pretende é mostrar como as considerações do filósofo sobre o atonalismo podem auxiliar a ...
Rafael Reis Pombo
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Opus, 2018 In the present work we investigate the possible relationship between the structure (identified by Arnold Schoenberg as a "sentence") of the first eight bars of Ludwig van Beethoven's Piano Sonata, op.2, no.
Mirna Azevedo Costa, Ernesto Hartmann
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