Results 21 to 30 of about 286,291 (231)
Two faces of mystification: the representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains [PDF]
Muzikologija, 2022 The paper discusses the approaches of different media to Holocaust (re)presentation, with special reference to art music in the 20th century. Following the classification proposed by Michael Rothberg on two possible perspectives for representing
Mevorah Vera
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Urlinie und Zwölftonreihe als Zeitgenossinnen [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Mit Blick auf die konträren Positionen ihrer Autoren scheinen Urlinie und Zwölftonreihe – zwei Konzepte, die beide in die frühen 1920er Jahren datieren – eher die Gleichzeitigkeit des Ungleichzeitigen als so etwas wie Zeitgenossenschaft zu dokumentieren.
Martin Eybl
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Charles Gounod’s Faust and Dostoevsky Artistic Principles [PDF]
Достоевский и мировая культура: Филологический журнал, 2021 The article considers the “Faustian” scene in Fyodor Dostoevsky’s The Adolescent as the musical embodiment of Dostoevsky’s central poetic device: statements with maximum formal similarity and maximum semantic divergence.
Tatyana V. Kovalevskaya
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Empirical Musicology Review, 2020 This commentary provides two methodological expansions of von Hippel and Huron's (2020) empirical report on (anti-)tonality in twelve-tone rows by Arnold Schoenberg, Anton Webern, and Alban Berg. First, motivated by the theoretical importance of equality
Niels Chr. Hansen
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“Paths of Harmony” in the First Movement of Brahms’s Cello Sonata in E minor, Op. 38
Current Musicology, 2003 “The paths of harmony are tortuous,” wrote Arnold Schoenberg in his manuscript on the musical idea. They lead in all directions, approaching a starting point and leaving it again and again, leading astray, as they lend to a different point a momentary ...
David W. Bernstein
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Schoenberg/Boulez: ideia/sistema
Per Musi, 2016 Resumo: Dois textos principais orientam o presente estudo: A música nova, a música demodée, o estilo e a ideia, escrito por Arnold SCHOENBERG (1977b) em 1946, e O sistema e a ideia, escrito por Pierre BOULEZ (1986) em 1986.
Eduardo Campolina Viana Loureiro
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Schoenberg and the Radical Economies of Harmonielehre
Culture Unbound: Journal of Current Cultural Research, 2009 This article examines Schoenberg’s Harmonielehre as a text shaped by the influence of Central European science and politics. In accord with a severely economical approach to his subject, Schoenberg’s critique of figured bass and chorale harmonization is ...
Murray Dineen
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AM: Art + Media, 2012 Drama with music “The Lucky Hand” (Die Glückliche Hand) by Arnold Schoenberg is examined in this study from the perspective of the composer’s concept of specifically combining elements of different arts.
Mirjana Veselinović-Hofman
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SCHOENBERG AND NONO. COMPOSITION IN CONFLICT WITH IDEOLOGY AND WAR
Studia Universitatis Babeş-Bolyai. MusicaIn the bloody twentieth century, both Arnold Schoenberg and Luigi Nono were faced with various political, sometimes quite toxic ideologies; during their lifetimes, both composers had to experience the devastating impact of wars, with Schoenberg ...
Christoph VON BLUMRÖDER
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A Survivor From Warsaw, November 21, 2011 [PDF]
, 2011 This is the concert program of the A Survivor From Warsaw performance on Monday, November 21, 2011 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts. Works performed were A Survivor from Warsaw, op.
School of Music, Boston University
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