Results 11 to 20 of about 436 (168)
Sweet Femininities: Women and the Confectionery Trade in Eighteenth‐Century Barcelona
Gender &History, Volume 34, Issue 3, Page 574-589, October 2022., 2022 Abstract This article examines the intersections between sweetness, femininity and the confectionery trade in eighteenth‐century Barcelona, at a time of growing consumption of sugar and slavery. Drawing on a range of underexplored archival material, this study traces the stories of women of different social groups, namely, elite housewives, nuns and ...
Marta Manzanares Mileo
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O compromisso artístico e social na arte latino-americana: o ensaio crítico de Marta Traba (1961)
Cadernos Prolam/USP, 2022 Este artigo tem como objetivo principal analisar como Marta Traba, grande intelectual e crítica de arte latino-americana, tratou no início da década de 1960 a questão do comprometimento do artista com o fazer artístico e o meio social na América Latina.
Eustáquio Ornelas Cota Junior
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History, Volume 107, Issue 377, Page 765-788, September 2022., 2022 Abstract This article explores how during Spain's transition to democracy in the 1970s and 1980s, Francoist disabled veterans of the Spanish Civil War navigated the disappearance of formerly hegemonic historical narratives which had hitherto defined their relationship with the state.
Stephanie Wright
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Caribbeanist Anthropology and Minerva's Owl: Lessons Forgotten, Lessons Learned
The Journal of Latin American and Caribbean Anthropology, Volume 27, Issue 3, Page 289-308, September 2022., 2022 Abstract This essay presents a sketch of what a critical genealogy of the anthropology of the Caribbean might involve. After looking at the origins of anthropological interest in the region, I will focus on two case studies that, for better or worse, may be said to have had lasting diagnostic value for key epistemological orientations in Caribbeanist ...
Stephan Palmié
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Journal of Religious History, Volume 45, Issue 4, Page 582-602, December 2021., 2021 The Francoist state, in collusion with the Church, tried to domesticate women's bodies and encode dressing patterns in accordance with Catholic moral doctrine. This article interrogates the normative notion of femininity in Francoism, focusing on ecclesiastical discourse and Catholic dress code. The Church dictated dressing norms, and the Franco regime
Uxía Otero‐González
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O modelo ocidental de guerra revisitado
Archai: Revista de Estudos sobre as Origens do Pensamento Ocidental, 2019 Este artigo tem por objetivo criticar a teoria do modelo ocidental de guerra, proposta por Hanson, a partir do que a historiografia tem identificado como seus principais problemas: a alegada continuidade da arte da guerra ocidental através dos séculos ...
Henrique Modanez de Sant’Anna
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German Life and Letters, Volume 74, Issue 3, Page 339-370, July 2021., 2021 ABSTRACT Alexander von Humboldt was regarded as an anti‐fascist symbol among German‐speaking exiles who, fleeing persecution from the Nazi regime, found refuge in Mexico. Humboldt's legacy was read as being an endorsement of the country's struggle for political and cultural emancipation, while his famously anti‐racist stance proved helpful in framing ...
Andrea Acle‐Kreysing
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Decolonising Oral History: A Conversation
History, Volume 106, Issue 370, Page 265-281, March 2021., 2021 Abstract In late 2019, a team of researchers and activists from Ecuador and the UK began a new oral history project, accompanying Afro‐Ecuadorian women living in the province of Esmeraldas, as they interrogated and articulated their history and heritage.
HILARY FRANCIS +5 more
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DISSOLUÇÃO E INDETERMINAÇÃO NA LITERATURA AMERICANA DO PÓS-GUERRA
Kínesis, 2010 Partindo do diagnóstico do fim da arte em Hegel, o presente artigo busca analisar o estatuto da arte no século XX, em especial, a literatura norte-americana produzida no pós-guerra.
Luis Fernando Catelan Encinas
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Artes, para a didática da história
Revista Histedbr On-line, 2012 Um exame das relações entre arte e ensino da história contidas no livro didático público“História: ensino médio”, do Paraná, resultou em seis grupos de arte, organizados pormodalidade: música, literatura, artes visuais, teatro, dança e cinema.
Luiz Giani
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