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The Artist as Educator [Editorial]

, 2008
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Education and Becoming an Artist

, 2010
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On the Education of Artists

Art Journal, 1965
It is possible to rationalize a number of positions on the education of artists, ranging from the apprentice and master system at one extreme to a rigidly-structured, traditional art school curriculum at the other. Some persons, indeed, would abolish the formal education of artists altogether, but they would do so for differing reasons.
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Artistic education matters: survival in the arts occupations

Journal of Cultural Economics, 2016
The literature of cultural economics generally finds that an artistic education has no significant impact on artists’ income and careers in the arts. In artists’ labor markets, indefinable features such as talent and artistic creativity apparently contribute more to success or higher rates of payment than education and training.
Bille, Trine, Jensen, Søren
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The Artist in Higher Education

Art Journal, 1969
The role of the professional artist, whether he is a regular faculty member or artist-in-residence, is of vital importance on the college campus. His insights and sensitivities, when combined with creative teaching methods, can offer to students and staff invaluable guidance.
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The Physical Educator as Artist

Quest, 1966
The chemical industry has traditionally been regarded as 'dirty'. Green chemistry is the industry's response to environmental protection. Liliana Mammimo explains how this happens.
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For a Change in the Education of Artists

Leonardo, 1970
The authorfeels that a change in the traditionalprogram for educating artists is necessary. He defines art as ideas expressed visually and believes the role of the artist is to influence many things that man makes. The personality of artists today is examined as well as those characteristics that an art education should emphasize. The author feels that
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The Classical Education of an Artist

Art Journal, 1994
The plaster cast of the two over-life-size reclining females from the Parthenon pediment lay in two huge abstract pieces. What struck me was the coincidence. The cast, which is two of the group known as the Three Fates, had cracked in half. The fracture had been caused by the stress created by the contraposta design.
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