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Beyond Offending the Audience: Violating the Audience Body
Contemporary Theatre Review, 1996The most recent survey of performance art theory to appear in the United States, the Spring 92 issue of Discourse: Journal for Theoretical Studies in Media and Culture, while it treats a number of performance‐related issues ‐ auto‐destructive art, Viennese Actionism, even “what is left of performance art “ ‐ pays astonishingly little attention to the ...
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Audiences for Now; Audiences for the Future
2014Arts managers face two major challenges today. First, they must reach outward to their communities, with a goal of creating relevance, understanding, and accessibility and making art an integral part of people’s everyday lives. Second, managers must look inward to professionalize their management and marketing, to approach their tasks strategically in ...
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Who is the audience to the audience? Media representations of literary audience
2016Tekst se bavi kulturološkim učincima medijskih reprezentacija književne publike i međuoodnosa književnog teksta i publike. Poznato je u suvremenoj kulturnoj teoriji da se o književnoj publici ne može misliti tek kao o adresiranoj skupini konstruiranoj medijskim industrijama.
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The chapter illuminates George Lucas and his company's relationship to the history of film sound. Lucas' early industrial experiences in the 60s and 70s influenced his production practices and perspectives on sound in film. These experiences led his filmmaking and companies to usher in the golden era of film sound in the late 1970s through mid-1980s. A
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A question of perspective: Exploring audiences’ views of journalistic boundaries
New Media and Society, 2022Sandra Banjac, Folker Hanusch
exaly